I’ve been seeing a thing going around lately that says: Happy Mother’s Day, including to dads who are playing the role. I get that the intent for folks who are sharing that is to be inclusive to all parents in a primary child-raising role, and I love that sentiment, but I have to say: this makes me sad for lots of reasons. The biggest is: so now we’re telling fathers that the only way they can interact parentally with their children is by “playing the role” of mother? That if they are nurturing or caring or take care of the household, now they’re mothers? By the way, what does this make mothers who work outside the home? I could go on and on, but frankly, it still shocks me how far we seem to have regressed in terms of perceived gender role stuff, just in my lifetime.
I’d like to give a shout out to my own mother. She never really went in for Mother’s Day. The year when I was 8, I decided I would make her breakfast in bed, and made sure I was up before either of my parents to do it myself. I was off to a pretty decent start, standing on a chair so I could easily reach the electric frying pan on the counter. Except… there I was cooking bacon when I must have bumped it or something because one of its feet was off the counter and it started to tip and fall. I caught it, and put it firmly back on the counter… then screamed, because in so doing, I burnt the heck out of my hand. My parents came running and ruined everything. They RUINED it! I was making Mother’s Day breakfast because I was going to do it, me, by myself, and then I make one little mistake and yell and they wouldn’t even let me finish. It was actually quite the little scene. And after that my mom always tried to make clear she didn’t wanna do anything for some Hallmark Holiday anyway.
My mom felt guilty. I could, I swear, *feel* it. At the time I thought that was stupid. But after I became a mom, I understood new things, viscerally. Like that she didn’t feel guilty that I burned my hand trying to cook bacon for her, she felt accountable and responsible for everything that ever happened to me or that I ever did. And then she spent the rest of her life dancing with that: stepping in, stepping out, turning her back, going around the outside, laughing and smiling more than anything else, until I finally broke free and ran off to be my own woman without her there to run cold water on my hand if I burned myself. And that morning, she could see that coming, and know she could never have stopped me from ever getting burnt, and all those things you think when your kid is hurt. And then there she was, feeling all of that, and I’m arguing with her that she should stop trying to run my hand under the cold water so I could finish breakfast, and she’s staying calm forcibly holding my blistered hand under cold running water and my dad says “Enough about the bacon! It’s fine.” I didn’t understand my mom as much before I was one. I couldn’t empathize with her. I didn’t get it. And I’m sorry. But I know she knew: I truly couldn’t have understood then.
After I became a mother, I would call my mother every year on this day, and apologize for something, like right now, when I’m apologizing for ever having thought, in my childhood and my teens, that she just wanted to control my life and ruin everything. I know she didn’t. She did the most amazing job ever of helping her daughter grow into the woman I am. I am ever in awe. There’s no sufficient gratitude.
There’s also no replacement, and sometimes, no solace for that.
I miss you, Chris. And thank you for all the times you said things to me just like what I said in the first paragraph. Thanks for always making me think. Thanks for encouraging me to just say things. Thanks for teaching me to argue, even if you might have wished I did it less. And thanks for teaching me my life didn’t have to be ruled by anyone else’s notions of what girls or boys, mothers or fathers, men or women, are supposed to do. The least I can do for you (on a day you never set much stock in) is to keep putting those questions out into the world.
40 years ago today, I was over at our great-grandmother’s house, and she had a few friends over sitting on the couch. I got to watch TV, and Planet of the Apes was on. You always hated when I told you that was something I remembered so vividly about the day, so, you know, as a big sister, I gotta make sure I don’t miss it in this letter.
The phone call came in the early afternoon; the little brother I’d been anticipating was a little girl who weighed 5 and a half pounds. “I wonder what her name is?” everyone started wondering, because clearly it wouldn’t be Little Raoul, which is what you’d been called when you were a bump in my mother’s belly. Everyone sitting around thought Grace sounded like the perfect name.
Ed came and got me, and told everyone your name was Molly Anne, and then he and I went to the hospital to see you. We had chocolate chip banana bread that Barbara had baked, wrapped in tinfoil, and when we got to the hospital, our mother came out and sat with us, but not you. “I don’t have a knife,” my father said, unwrapping the tinfoil package. He broke off pieces of chocolate chip banana bread for everyone. Mine was from the end, which I liked, but it was also shaped like a broken foot, which I didn’t like. I was about to bring this up when my mother said, “Here she comes!” and helped me stand on a chair to look through the window behind us.
A lady dressed in white wheeled up a cart to the window, and smiled. And that was the first time I saw you. You were tiny, and red, with fuzzy red hair, and you were crying. I felt bad about being upset about my weirdly-shaped banana bread. I thought maybe you would like a piece and might not cry anymore if you had some, but you were on the other side of a window, and even then, inside a cart. “She’s very small,” our mother said, “so she has to be in the incubator for a while.”
I was so proud of my new baby sister. It made me mad that you couldn’t come home and play right away. I just wanted you and me to get on with the lives I’d daydreamed for us as your much wiser, more mature, and more experienced sister (that’s right, I was three years old, and I knew STUFF).
Having a little sister was never like I expected it to be. Being a big sister wasn’t either. And you upstaged me at every turn. You were cuter, more charming, had better people skills. I’d make a friend who’d come over to visit me, and then they’d spend the whole visit playing with you and I’d have to give up and go read a book. I didn’t know, until later, that you always thought much the same, and struggled with things like that English teacher wondering why you didn’t want to read Kafka in seventh grade like your big sister. You always looked good in dresses, and in pictures, and I never did. But you always thought everyone could see how many times your nose had been broken and envied me for not being accident-prone.
I wish we knew where you were, today, when you should be having a party for your fortieth birthday. Forty years is no shit. I’m your big sister, so I know, because I got there first. Or, well, I guess maybe “at all.” It’s been more than 2 years since you disappeared, and with everything that went down, maybe I should be trying to just use phrases like “my sister was” more often. But it’s hard, because… somehow I can’t help thinking it’s all a mistake and I can’t possibly not have a baby sister anymore. Deep down I know you’re gone, because you would have moved heaven and earth to be here with the rest of us these past 2 years. But I can’t close the door on the idea that maybe, just maybe… well, I don’t know what to hope, sometimes, you know? I don’t hope you’re trapped in someone’s basement dungeon, but I also don’t hope you’re dead and never to be found, so maybe the basement dungeon would be better. Maybe I should hope you have amnesia and are having a wonderful time somewhere. But that sounds weird too. I guess I hope you’re at peace, and I wish you were here, and I wish I thought we’ll ever find out.
I miss you. I’m thinking of you a lot lately. Sometimes it sucks being the last one left here. Heck, mostly it does. I know I used to bitch constantly about how I just wanted you to go away and leave me alone, but I never meant it like this. I just wish so much that I could call you up and say happy birthday. I wish you were still around to piss me off, because that’s definitely a little sister’s job and I kinda got used to it after all.
Lots of us miss you.
Be well, whereever and however you may be. You are not forgotten. Especially not on your birthday.
Hi! I’m a double treadle 24″ Jensen “Space Saver” tall castle wheel with finials (sometimes called half-spokes). I was lovingly made by Jerry Jensen in 2001, from cherry wood with a walnut stain. I’m signed and numbered — JMJ No 5, 10/24/2001.
24″ drive wheel Space Saver,24″ x 16″ x 52″, orifice 25″ from floor, double drive and scotch tension, double treadle, ratios 9:1, 10:1, 11:1, 12:1, 14:1. I come with 2 bobbins, and can run double drive, Scotch tension, or Irish tension.
If you were looking for me new, I’d run $1750 and the wait would be 6-12 months from the date of order.
I have spent my life living with, and being maintained by, professional spinning teachers!
I can be yours for $1400 plus actual shipping via UPS (or you can pick me up in Lebanon, Ohio). Interested? Just email email@example.com.
Thinking about buying a used spinning wheel? Doing so can be a great way to save money, but alas, it isn’t always easy to find a used wheel in good condition. If the seller is a spinner, then your odds are pretty good, but sadly, people who don’t spin can’t necessarily even tell if something actually is a spinning wheel or not. So, if you’re looking for your first wheel, my usual recommendation is to not buy a used wheel from someone who isn’t a spinner.
Okay… but what if you really, really want to? That’s where today’s video comes into play. I’ll show you my family’s old great wheel, an antique flax wheel with some issues that aren’t dealbreakers, and a modern wheel in good condition.
It’s coming around again, as it has probably for time immemorial — the thing where someone who doesn’t knit discovers that there are people who do knit, and some of them are apparently under the age of 90, and then the next thing we know, someone is writing articles or spouting this line on TV or social media or something:
“This is not your grandmother’s knitting.”
Every time someone says this, picture the knitters of the developed world all crying out in unison as they slam their heads into their keyboards, tablets, smartphones, countertops covered in a newspaper, airplane tray tables beneath a magazine… you get the picture. Seriously. Just imagine us all casting our eyes upwards and beseeching the heavens for some sort of answer as to why THIS of all things is the line we’re saddled with hearing from the news media and our non-yarnish friends.
So I just thought I’d take a moment to say this:
Actually, this IS my grandmother’s knitting.
And these are some of her knitting needles. My uncle was kind enough to give them to me right away when my grandmother passed on last year.
My grandmother Rachel was a painter, potter, weaver, spinner, dyer, knitter, crocheter, sewer, embroiderer, cook, and countless other things. I cannot remember a time before she put yarn and yarn activities in my hands, and there was never a time growing up when I didn’t have plenty of clothes she made for me, in lots of ways. I have many of them to this day, and certainly, lots of household textiles that she made.
My grandmother was also a woman who spent most of her elder years living in Montana, part of the time fairly rurally. Letters from her often started with lines like “Today I saw a mountain lion and her cub out the kitchen window…” or “While I was gathering clay from the banks of the stream out in back of the house…” or “I had a few weaver friends over today, and we’ll spending next weekend at the mall demonstrating spinning and weaving! I hope we get to teach lots of new people!”
Right now, I’m also looking at what my mother told me had been my grandmother’s “summer house loom” — the small loom she kept for weaving with when spending summers on a remote island in the Great Lakes. She gave the loom to her new son-in-law, my father, in 1970, when he became interested in learning to weave. I should probably note the “small loom” is a floor loom with a 36″ weaving width.
Oh and by the way… the folded up pieces of paper in that photo? Among them are receipts for the interchangeable needle set and add-on parts ordered, and for $70 of yarn in 1983, with a note in her handwriting that says “Family heirloom.”
So yeah. I’m pretty sure that what I do today IS my grandma’s knitting. In lots of ways, in fact. And of course, it’s also my mother’s knitting.
Lots of things may not be obvious in this photo of my mother holding a 16th century icon, but the only stuff I really want to point out is that my mother sewed that dress (and had me practice embroidery on part of it), and she spun the yarn for the cabled sweater draped around her neck, which of course she knit. So yeah, it looks like this is also my mother’s knitting.
And actually, it’s my father’s knitting, too. It’s too sad for me to take a picture, but I have a small bag that I sometimes open and look at, and think about the contents. It was the bag in which he carried around his last knitting project, which he didn’t finish. They were gloves he was making for me when he succumbed to the cancer that killed him — colorwork gloves with a reinterpretation of one of my favourite Chinchero weaving patterns.
You know what else? It’s lots of people’s knitting all over the world. They look all kinds of ways and might be anybody. Like these gentlemen knitting while watching a presentation at the 2010 Tinkuy de Tejedores in Urubamba, Peru:
It’s also my great-grandmother’s knitting, by the way, as I was reminded when that same uncle passed on to me a pair of socks that were knit for him by my great-grandmother in the 1960s. And you know, that brings me to the next major point of peevishness about this whole “not your grandma’s knitting” shtick:
WHAT THE HECK IS THE MATTER WITH YOUR GRANDMA ANYWAY?
Seriously, I know a lot of grandmas, and lots of ’em are really quite cool. Some of my best friends are grandmas. And just yesterday I was thinking about my great-grandmother, who died while my mother was pregnant with me. I never met her, but I grew up on stories about her, and the ever-diminishing number of my relatives who did know her never seem to run out of those stories.
College educated, the eldest of 9 kids, a cigar-smoking, bloomer-wearing Suffragist, my great-grandmother is among the reasons I can do stuff today like “vote” and “own property and even a business in my own name,” things that she did AT THE SAME TIME AS SHE WAS KNITTING. Heck, you know what? My grandmother told me she remembered her mother taking her to see Red Sox games when she was a teenager… and both of them knitting on the T. That sure sounds like the knitting scene I know today.
So yeah. Not my grandma’s knitting? All I’ve got to say is, dude, you obviously know neither my grandma, nor her knitting. In fact, I’m willing to bet you don’t know anyone’s knitting, and the number one indicator that’s the case? It was when you said “this isn’t your grandma’s knitting.”
Next up, perhaps: I’m going to teach a yoga teacher to knit, so we can conclusively speak to the question of whether or not it’s “the new yoga.”
Years ago, I did a static-image blog post about how to use a half-hitch on a low whorl spindle. Thing is, I did it really quick, after finishing up a dye day, and I was never happy with it for a million reasons, not least among them that my fingertips were stained from dye.
What’s more, over the years, I’ve refined the way I demonstrate the technique — putting on half-hitches quickly using the spindle holding hand, which is advantageous for several reasons. First, it doesn’t matter how much yarn you have between your fiber hand and the spindle — you can maintain tension and put on half-hitches without risk of tangling, especially once combined with being able to wind your yarn up in a butterfly as you spin. Second, it doesn’t take much practice to get very fast with this, partly because you don’t need to look at what you’re doing. Third, well, you don’t need to watch what you’re doing, so that makes it pretty foolproof.
So, with all of those things in mind, I chose to make a video about half-hitches the start of a series of new short technique videos I’ll be posting much more frequently. Without further preamble, then, here it is! I’d love to hear thoughts about videos you’d like to see, by the way — feel free to share them.
Do you have a spinner in your life for whom you’d like to buy a gift, but you aren’t sure what he or she would like? I’ve pulled together a list of some favourite items in various price ranges to help, followed by a few tips on shopping for spinners in secret.
The Spinner’s Party Tool from FBN Plastics. Featuring a wraps per inch gauge, angle of twist gauge, and a bottle opener with a keychain ring, this little gadget is incredibly handy. I have several, in various places around the house, my car, and my luggage. Did I mention it’s TSA approved, so I can always measure my yarn AND open my beer, even when I’m on the road? I also keep one hanging from my wheel next to my orifice hook, and one in my spindle bag. $5.
Spinning Wheel Oil Bottle. If you’ve got a wheel, you need oil for it (typical motor oil works great), and you’d rather have it be easy to apply. I really like these Schacht oil bottles because of the long needle tip that lets you get the oil right where you want it. $8-9
Orifice Hooks. These are used pretty constantly with most spinning wheels, and most spinners could stand to have more of these. Sometimes the ones you have go rogue, and there you are, bending a paper clip to handle an emergency — if you don’t have a few extras lying around. Some spinners really like to have beautiful ones. They can be made from wood, glass, all manner of things. $2 and up, with a lot in the $10-20 range.
A Pretty Diz. Used to pull prepared fibers into their final pre-spinning state, dizzes are more of a hit-or-miss gift, but they’re usually inexpensive and fun. Many people make them or repurpose household objects like buttons, but you can also find really pretty ones. If your spinner has a drum carder or combs, this could be a win for a small gift. Prettier, fancier ones cost a bit more. You want smooth (so fibers don’t snag) and durable (because fibers are stronger than you might think). Around $20.
Fiber! Dude, there is so much fiber in this price range. Omigod, is there fiber in this price range. Sadly, it’s hard to say there’s one kind of fiber that makes the perfect gift. So instead, here’s a short list of a few of the folks whose fiber I personally always find delightful, and whose stuff I use in classes.
A Nice Spindle. At this price point, you can buy some really nice spindles! Some of my favourites are:
– KCL Woods
I have never had a spindle I didn’t really, really like (or more likely, desperately adore) from any of these makers. They’re all unique and individual and worth every penny as workhorse tools that are also beautiful. Even if your spinner doesn’t have a major spindle attraction, these are the spindles that, shall we say, I doubt anybody would kick out of bed for eating crackers.
Hand cards — if your spinner has none, then my choices for all-around hand cards are Schacht curved medium or fine, or Strauch fine, including half-size. Every individual spinner will develop his or her own preferences, so the curved or flat question is pretty much unanswerable. Your spinner won’t know until he or she has used them for a while. So don’t overthink it! If you’ve got a spinner who does not have hand cards, it’s time to remedy that. If your spinner does have hand cards, but only one set, see if you can figure out which set and then call a good fiber shop (like one of the ones linked in various places in this article) and ask for advice on what cards should come next.
Books and Videos! There are so many great resources out there now, many of them free — but I still recommend having an extensive library. The hot new release The Spinner’s Book of Fleece by Beth Smith (you can even get a signed copy). If your spinner doesn’t already have it, he or she probably wants it. Here’s a short list of some other books I recommend:
Classes! Nothing helps a spinner get more out of whatever they’ve already got than taking some classes. However, sometimes they can be hard to justify for people, and so they make really great gifts. Contact your local (or most local) fiber shop or weaver’s guild to find out what options exist in your area.
Yarn Handling Tools — often overlooked, these tools actually make an enormous difference in the life of a spinner. Eventually, every spinner probably should have a way to make skeins of yarn, a way to hold those skeins to wind them into balls, and a way to easily wind those balls. So, that’s a skein winder or niddy noddy (for making skeins), a swift (for holding skeins), and a ball winder (for, um, winding balls). YES, there exist tools out there that do double duty, but I’m going to tell you the truth: almost none of them do a truly great job, and in the long run, your spinner will probably be happier with great tools that really work reliably for the purposes for which they were made. So here are my faves:
– Schacht Niddy Noddy. Like real antique ones, this niddy noddy is extremely lightweight, making it easy to work with when winding skeins. Unlike antique ones, this collapses and folds up small, and can make more than one size skein. $75.
– Fricke skeinwinder. I have both a motorized, and non-motorized, version of this winder, equipped with a rotation counter that tracks your revolutions so you know how long your skein is once you’re done winding. These are probably the biggest time savers of any single piece of equipment I own — no exaggeration.
– Swift! The umbrella style is terrific and sturdy and usually repairable, unless you get a really chintzy one (they’re out there — if the swift is half the price of most of the others, I would probably give it a pass). You want one that says it can handle 2-yard skeins. You can get them that clamp to a table or surface, that rest on a surface, or that stand on the floor. I have one free-standing and one clamping, because different circumstances call for different things. I’ve been very happy with the decades of hard work I’ve gotten from my Ashford swift and my Glimakra swift. But counter to what I said above regarding multi-tasking tools, I have only had great experiences with the Strauch skeinwinder, so that makes the list as well. One of the things that’s great about the Strauch ones is that you can get table clamps that work even with those newfangled plastic folding tables that have a lip on them — a perpetual irritation for the fiber artist who wants to clamp stuff to stuff!
– Ball Winder. I grew up with plastic ball winders that were pretty great, but sometime this century or so I guess the quality really diminished. I think it was 2004 when I went through 3 ball winders in 3 months, and swore off buying the cheap ones, having concluded that for the price of the three cheap ones with broken plastic gears I could have bought one really good one instead. As it happens, I still have that one really good one, which was a Strauch that I initially expected to be overkill for my needs. Turns out it hasn’t been. The other really fabulous one out there is from Nancy’s Knit Knacks — when Nancy says heavy duty, she means it.
– Bobbin Winder. My Schacht bobbin winder is my most reliable and dependable. After the skein winder, the bobbin winder is probably my biggest saver of time and money. With it, and an assortment of cheap plastic bobbins, it simply doesn’t matter how many bobbins I have for which spinning wheel.
– Combs! Oh, man, where to start with combs? If your spinner has none, then I’d go with either the double-pitch Valkyrie fine hand combs, or St. Blaise combs (designed by master comber and spinning teacher Robin Russo, and made by her husband Pat). These two are actually the ones I use the most, as generalist combs. However, your spinner may have specific wants and needs and if he or she has combs already, there could be another set that are needed in order to perform specific tasks, in which case, refer to the upcoming advice about sneakily finding out what your spinner really wants.
– Blending Board. These have been the hot item in fiber prep for the past year or two, and there are lots of designs. I really like the Clemes and Clemes one and the Ashford one, which can sit on your lap but also feature a keel that you can hold between your knees to keep things steady while you play, or set on a table in front of you.
This is a tough price range — it represents a price point where you can often find more expensive equipment used in good condition, and where you start to see the most entry-priced higher-end tools and equipment. However, most of the new equipment in this price range doesn’t wow me in terms of fit and finish, durability, and bang for the buck. If this is your budget, I’d put together a bunch of mix and match stuff from lower price ranges, such as a skein winder, swift, ball winder, and bobbin winder. Or a spindle and a lot of fiber. Or lots of extra bobbins for your spinner’s wheel of choice. Or, see if you can get your spinner to divulge a wish for an add-on to his or her wheel, because you can also find a lot of things like that in this price range.
Another good option might be to pick up your spinner a way to use up some of that yarn, and a great option in this price range is a rigid heddle loom with accessories. I’m partial to my Schacht rigid heddle looms because they’re laid out similarly to floor looms, and because of the range of accessories available (one of my faves is the heddle solution that lets you mix and match so you can do a lot of varied things with your warp). One of the great things about giving a spinner a rigid heddle loom is that it’s going to eat up lots of yarn, and it’s easy to mix and match and combine small skeins and leftovers into cohesive finished projects. I realize it’s a whole new slippery slope, but… you never know, you might just want to give your spinner a gentle nudge. You’ll doubtless be repaid in all kinds of new textile goods.
Now we’re in the entry priced spinning wheel price range! You might want to take a stroll through my article on choosing your first wheel to help you think this one through. The brands I most recommend are Ashford, Lendrum, Louet, Majacraft, and Schacht. My two top picks for wheels in this price range are the Schacht Ladybug and the Lendrum folding wheel, but all the brands I mentioned are dependable, excellent performers, and well-supported. I recommend finding the closest dealer you can for these, so you can get local help and support for the new wheel.
This is also the right price range for a drum carder. Myself personally, I have three — a Strauch, a Pat Green, and a Louet Classic. They all do different things, and it’s really no coincidence that these are the three I have: these are the ones that I’ve kept after working with lots of others. The Strauch is my best all-around, the Pat Green is the best for superfine fibers, and the Louet Classic is the best for more medium and wild and crazy fibers. Find whatever’s in your price range from one of those brands, and you pretty much can’t go wrong. If I could only keep one of these carders, though, it would be the Strauch, based on over a decade of extensive drum carding experience. My top pick for an entry-priced drum carder is the Strauch Petite, based on almost a decade of working with them in classes.
As another thought for this price range, sending (or taking) your favourite spinner to a class (these can be pretty cheap and local, or they can be pricier with national instructors and involve travel), retreat, or fiber festival would be the kind of gift they’ll talk about for years.
At this price point you can either buy a heavier duty drum carder, a higher-end spinning wheel, or put together a spinner’s studio package. My top picks for spinning wheels in this price range are: Schacht Matchless, Majacraft Rose and Suzie, Louet Julia, Ashford Elizabeth, Lendrum Complete package. My top picks for drum carders are Strauch Finest and Pat Green Blender/Carder.
For a package that will give your spinner pretty much everything he or she really needs, here’s what I’d do. This list is ordered by priority, based on my experience.
– spinning wheel
– skein winder or niddy noddy (go for the skeinwinder if budget allows)
– books and videos
– bobbin winder
– hand cards
$1200 and up
Okay, I’m going to talk turkey here: if you’ve got this kind of budget for gifts for the spinner in your life, you probably shouldn’t be taking the word of some stranger on the Internet, even if it’s me. Chances are good that your spinner already has a wish list of things he or she really, really wants, and you’re going to have to get that information somehow.
There’s always coming right out and asking, but if you wanted to be less direct (so you can definitely surprise someone), you might consider contacting the fiber or yarn shop that he or she frequents, and asking if they know your spinner and whether or not there’s anything the folks at the shop think he or she wants or needs. That’s also a way to find out what’s new, what’s hot, and that sort of thing. Your spinner also might be a member of public fiber arts groups online, and while I wouldn’t ordinarily suggest stalking someone on the internet, you might well find that a public forum contains posts where your spinner has outright stated what he or she most wishes they had. It’s been known to happen. Lastly, it’s possibly slower to get answers, but watch your spinner doing what he or she does and see if anything seems slow, cumbersome, or awkward. Then ask if there’s something that solves that. For example, “Hey, that niddy noddy thing seems kinda slow. Is there a faster way?” You’ll probably hear “Oh, yeah, there are skein winders, but they’re $100 and up and I can’t warrant spending that.” And then you’ve broken the ice! Then you can simply say things like “Wow, I had no idea there were so many things like that! Tell me more about some other interesting ones!” and there you go, you’ll probably hear more than you ever imagined.
Believe it or not, I get asked this question pretty regularly: “If you were going to set someone up with a really awesome spinning studio for the best bang for the buck, what would you get?” As with all things spinning, the answer is really “It depends,” but if this were some sort of game show which I’d win by just handling that question, I’d budget $1500-1700 and go this route:
The fall teaching schedule is always jam-packed and exciting, and when I get home — usually just before Thanksgiving — I tend to have a huge email backlog from being on the road, and a staggering to-do list that I always expect to complete in the relative lull (well, at least it’s a travel lull) of late November to early January. Topping that to-do list is always “update the class list.”
Throughout the year, I keep notes about the things people ask me to teach, and the things I hear people asking. In November, I do outlines and descriptions and materials workups for the new classes, check out all the details and work out pricing, all that sort of thing. I’m always amazed — even though I should know — at how much longer this takes than I expect! But, I’m done for the year! Huzzah! Here it is.
It’s a PDF and there’s a ton of information in there! So I figured I’d summarize things a bit. My class list allows for three main ways to hire me to teach for you (although there are always unique considerations and special cases). First, in what I call the “hosted model,” you can hire me and pay my flat daily rate, plus travel and lodging, and then I’ll show up and teach while you promote the event, deal with registrations, and fit things into your pre-existing routine. This usually works out well for guilds, shops, and some festivals and retreats. Second, in what I call the “grassroots model,” you can have me handle registrations and collect an all-inclusive per-student fee, while you find a location where you are, do some on-the-ground logistics and advertising (like arranging for the location and telling your friends). This tends to work out well for informal groups or for a group that doesn’t have a pre-existing structure for holding classes. Third, you can come where I am with a small group, and we can put together a retreat with me at the Golden Lamb, where we’ve held Stringtopia retreat events over the past few years. This can be done either paying me the flat rate to have me deal with the logistics at this end and for you to show up with up to 7 of your friends (more by quote), or it can be made into a grassroots model retreat which I host and handle registrations and so forth.
The hope behind having three ways to do this is to try to have as many ways as possible to be as accessible as I can be to the widest range of people in the widest range of places. Of course, next year I’m going to finally have developed the online automated quote generator system with date scheduler and a robot that handles everything. I say that every year, but somehow, I never seem to do it. So if you’re interested, just email me — abby at abbysyarns.com — and we can go from there! And if you have questions, feel free to leave them in the comments for all to see.
Looking forward to seeing lots of you this coming year — and beyond!
COVID19 ALERT: Presently (3 April 2020) only SPINDLES are available to ship from the USA. All products to ship from Peru are on BACK ORDER due to national state of emergency; we don’t know when we will be able to ship them. Virtual products are still available. Dismiss