Archived posts filed under ‘Getting Started’

A couple of years ago I made a video called Drop Spindle Basics to demonstrate, well, the basics -- the most elementary parts of spinning.

Since it's been up, I've gotten all kinds of feedback on that video, ranging from "THIS IS AN AMAZING VIDEO. Thank you so much for sharing your knowledge with the world. This information and wisdom will go far in my life. Thank you from the bottom of my heart," all the way to "Details of what you're doing would be nice - I can't follow what's going on with just frantic motion." (I admit, that latter one pushed my buttons, and it took great emotional reserve on my part not to reply with "Have you tried listening to what I'm saying? Turn up your sound," or "Come over here and say that to my face and I'll show you some frantic movement!")

I've also spent a bunch of time watching other videos, thinking about them all, and of course, engaging in a wide variety of teaching activities. Over the past 6 months, I've been saying, "If I had it to do over again, I'd change this, or that, or the other thing about that video, to speak to this, or that, or the other concern." And of course, the funny part is that obviously I do have it to do over again any time I feel like it, right?

Well, any time I can steal a minute or two and a camera operator who knows where to zoom in, perhaps.

So what issues did I end up having with the first video over the past couple of years? Lots! I still like the video and think it's a solid demo with enough information to get you started. But there were things I hadn't anticipated. For example, I specifically chose low-cost materials so as to be very approachable, and show that even without fancy equipment, you can do all kinds of spinning. I tried to tailor the video to the lowest common denominator in terms of tools -- to the simplest, cheapest spindle option likely available to a majority of folks who'd watch the video. This choice turned out to have unintended consequences -- like people reaching the conclusion that the video's only for spinning with a low whorl spindle with no hook. It isn't -- yes, it tells you how to do that; but drafting is drafting, spinning is spinning, and the same basic technique applies. Yet, people got caught up in what was, to me, just one fairly superficial thing about the video.

Also, I wanted more "spinner's eye view" stuff. When I teach, I often stand next to a student, instead of in front of them; I wanted to create something closer to that effect. While a video still lacks the interactive nature of being there in person, I wanted to do something closer to my ever-evolving 5-10 minute basic spinning lesson on the quick. And I wanted to answer questions that people seem to often be left with.

On the other hand, I also didn't have it in me to spend a ton of time, or, well, any money at all on something to throw on YouTube. There's a limit to what I'm willing to do in that context, after all. So without further ado, here you go: Intro to Spinning Part 1 and Part 2.

Enjoy!

Getting Started!

December 30, 2008 1:34 pm | Filed under Articles, Getting Started, Handspinning, Knitting, Projects by Abby

At this time of year, we seem to always have a huge crop of new spinners and would-be spinners looking for information about getting started. So I thought I'd take a morning and pull together an overall post linking to things I've written on the subject and various other resources too. What's more, I've been spending part of my holiday fixing and updating old posts with current information, so you may find a few new things.

Bear in mind this is a list of information and resources for those who are brand new to spinning; I've tried to keep from going too far into the more intermediate or potentially esoteric stuff that could be confusing for a beginner. We've got plenty of space for that under a heading other than "Getting Started."

1. What do I need to get started spinning?

I wrote a whole post about that entitled
What do I need to get started spinning?
-- start there! You can do it with as little as $5-10.

2. What kind of fiber should I get?

Here are a few suggestions. If you're wondering what some of the terms mean, here's an explanation, complete with handy pictures. You'll need to register for a free account with Spin-Off and download the PDF, but it's worth it -- there are all kinds of great resources there.

3. Are there any books or magazines you recommend?

Interweave Press' Spin-Off Magazine is a must. Start here and click every link there. I'm totally serious. Click them all. Under "Projects and Articles," you can get to a wealth of online content -- every issue has a few articles that are published online as well as in print. Those are here.There are also forums there where you can interact with other readers and the publishers.

Some excellent books:

Start Spinning by Maggie Casey. Maggie is the owner of Shuttles, Spindles and Skeins in Boulder, and a spinning teacher par excellence.

Spin Control by Amy King picks up where Maggie's book leaves off, and teaches you how to take control of your yarn.

Teach Yourself Visually: Handspinning by Judith MacKenzie McCuin. Judith is a major rock star of the spinning world, and deservedly so.

Spinning in the Old Way by Priscilla Gibson-Roberts is the canonical book about spinning with a high whorl spindle, and an excellent resource.

Spin It by Lee Raven. An excellent book for the new spinner.

Hands On Spinning by Lee Raven.

Spin to Knit by Shannon Okey. A great easy introduction to spinning for straightforward knitting projects.

Twisted Sister's Sock Workbook by Lynne Vogel. Aimed at avid sock knitters, there's plenty of spinning and dyeing info in here too.

Spinner's Companion by Bobbie Irwin. A great all-around book.

The Intentional Spinner by Judith MacKenzie McCuin is not a total novice's book, but is a wealth of information.

Respect The Spindle is my own humble offering in the field, dealing with spindle spinning topics from beginner to advanced.

The All New Homespun, Handknit features projects to spin and knit for every level of spinner and knitter.

Some DVDs:

Start Spinning, The DVD from Maggie Casey is the perfect 2-disc companion to her book.

Drafting: The Long and Short Of It, my first instructional DVD, is a more intermediate DVD that goes into lots of detail about various fiber options, multiple ways to spin your yarn, and how to fine-tune what you're doing to get exactly the results you want.

4. What about web sites and mailing lists?

There are tons! For a really long list, make sure you check out Interweave's list of spinning links, which should be enough to keep you distracted and websurfing for days or weeks. Or even longer. I'm going to pick out a handful of online resources I recommend highly for new spinners, though.

One thing to bear in mind as you delve into the world wide web of spinny stuff is that as with anything online, there are good sources of information, and less good sources. It can be hard to know which is which. And whereas formal publication usually ends up being something done by people with a ton of experience in a given subject, casual publication like having a web site is something anybody can do. That doesn't mean casual publications are bad -- far from it! But it does mean, as a reader, that it pays off to spend a little time figuring out who's giving you information, and what that person's perspective is.

For example, my perspective is that of a spinning teacher and writer about spinning, who's been at it for over 30 years in a variety of contexts. I will obviously see things differently from someone who started spinning a couple of months ago. Does that mean you should only read one of us? Absolutely not; but it's worth thinking about the differences in perspective or experience, as you read things. Consider: my experience trying a brand-new prototype spinning wheel is probably not going to be the same as a brand-new spinner's. Which perspective you're after is up to you. You may be looking for instruction (in which case I'd recommend seeing what an experienced teacher has to say), or you may be looking for a peer group as you start out on your spinning journey (in which case, you'll probably be most interested in meeting fellow new spinners). One of the fabulous things about the online spinning world is that you can have all of those things.

WEB PUBLICATIONS

  • Spindlicity is an online magazine for spinners, with lots of terrific how-to information, and more.
  • KnittySpin is the spinning focused section of web pioneer Knitty.

MAILING LISTS

Yahoo! features a number of great lists dealing with spinning.

WEB COMMUNITIES

FAVOURITE INSTRUCTIONAL BLOGS:

  • Spinning Spider Jenny Jenny Bakriges is a fabulous spinning teacher with a terrific instructional blog. Go, check her out, take her classes, await her forthcoming book just like the rest of us.
  • Ask The BellwetherAmelia is a wonder, and her blog is structured in a fabulous Q&A format and she's an incredible wellspring of information.

I recommend reading ALL the blogs I read, but if you're a new spinner looking for information, don't miss Jenny and Amelia. I read hundreds of blogs and they are all fabulous, and they're all linked at right.

Just for kicks, if you're looking for some top picks from my own archives, read this 100th post..

5. Can you recommend any good videos on the web?

Well, I've got a few aimed at the complete spinning novice, even starting on a budget:

Although they aren't used much, YouTube has groups! We have one for handspinning:

There's a broad range of videos there already, and more being added all the time. These are added and vetted by experienced spinners and spinning teachers, and videos that aren't solid information don't make the cut for this group.

As with web sites, videos on YouTube vary wildly in terms of the quality of information they contain. There are some reasonably well-produced videos that contain horrible misinformation. Wherever possible, try to take a minute and figure out where the video came from -- someone who spends a lot of time spinning, or someone who started a week or two ago? The more folks sharing what they do, the better -- but be wary of authoritative pronouncements from people who haven't been spinning any longer than you have! In fact, I'd almost go so far as to say that most people making really authoritative, "This is how you do it" pronouncements, instead of saying "Here's one way to do this," are relative novices.

Why do I think this matters with videos? Because ideally, I think you should be looking at good spinning practice, or good form, if you're looking for something to emulate and practice. If this was dancing or gymnastics, I would be saying you're better off watching someone who's been dancing for years than someone who just started and has never been to a class or performed or anything.

In addition to YouTube, I recommend ispindle.com, courtesy of the folks behind the Spindlers yahoo group.

6. What are some great places to shop for spinning equipment and supplies?

Well, here are a few of my longstanding favourites. These are people who I can call up and say "Hey, do you have... or can you get... and is there anything like..." and who I trust with every fiber of my being (har har). These are the kinds of folks who you can go to with a dilemma and they'll solve it. They're the ones you can trust if you can't make up your mind. These people are pillars of the larger fiber community. These are the people my family calls up to figure out what I should get for Christmas.

  • Carolina Homespun was my local shop when I lived in the SF Bay Area. If you are in that area, run, don't walk, and then camp out and wait for Morgaine and Lann to let you in, if that's what it takes. Make sure you visit them at every fiber show where you see them.
  • The Fold, better known as "Toni." Not only does Toni Neil have an incredible full-service fiber shop -- at least, I assume she does although I've never actually been to her shop, only her booth at various events, and dealt with her lots on the phone and in email -- but she's someone who Makes Stuff Happen. Like, she talked Jonathan Bosworth into making spindles. That kind of thing. I can't say enough to praise Toni. I just can't. She's too fabulous.
  • The Spinning Loft is now my local fiber shop. Okay, it's the entire length of my state and part of another away, in Howell, Michigan (near Ann Arbor), but Beth Smith is my go-to gal. She is one of the very few people -- heck, she might be the ONLY person -- who I trust to the point that if she says I don't want to buy something I am positive I want, I just say "Okay, what do I want instead then?" and then go that route. Know why? Because she is always right, and down the road, the times I haven't gone with her advice, I've wished I had.
  • The Bellwether is my friend Amelia, who very very often has that thing I'm looking for that nobody else has. I don't know how she does it. She has stuff that nobody else does. And if I think something might be a good idea to do, she's usually already done it and has advice about it, and she'll share it honestly and courteously and caringly.
  • The Spunky Eclectic is run by my longtime friend Amy King, author of Spin Control. I'll put it this way: I call Amy up when I need a treat for myself, and can't figure out what it should be. I place standing orders with her, and when there's a new product on the market, she'll know about it, have tried it, and have the scoop. And she can Get Things Done. When I have a task I know I can't get to in time, I can count on Amy to do it to my standards and beyond.
  • Village Spinning & Weaving is a fabulous shop in California, and another absolute don't miss at any fiber event where they've got a booth.

If you've talked to that list of people, and they can't find what you're looking for? Then you can't have it; it either doesn't exist, is a treasure of rarity beyond compare and you have to hope someone's leaving it for you in their will, or is backordered for however long they said. Seriously, if that list of people can't make it happen for you fiberwise, nobody can. These are the folks you can call up in total chaos, confusion, despair, whatever -- and they solve it, and give you a good deal besides.

7. Any other thoughts for a new spinner?

Just that, if there is any way at all for you to swing it, go meet other spinners. Take classes if you can, but even if you can't or don't want to, just meet other spinners. There are things about this that can't be learned from books, videos, and so on. There are things that must be passed from one hand to another. You will get things out of a few minutes spent with other spinners that you can't get out of years of spinning alone, even with the greatest references in the world.

Oh, and one more thing: this. Consider it a yarn manifesto, and enjoy.

That's it! Please feel free to share your thoughts about being a new spinner, and any questions you might have, in the comments.

I've updated this as of 28 December 2008, to reflect new wheels on the market since I first wrote it in 2006, along with changing prices, adding some links, and putting in a few pictures to liven things up.

Choosing your first spinning wheel is somewhat like choosing your first car. There's a level on which it doesn't really matter exactly what it is, because it's going to do the trick to get you started, and odds are it's going to be a little while before you've refined your spinning and your ideals for your spinning to a point where you really know what your exact needs are.

In some respects, the best spinning wheel to start out with is one that someone will let you borrow or rent; this is especially true if the person doing the lending is going to be able to spend some time with you in person showing you how it works and getting the ball rolling for you. If you have such an option, it's an unbeatable first choice. You might be surprised at how readily you can find such an option, too: handweaver's guilds will often have loaner wheels, and so may spinning teachers. Shops may do rentals and layaways. Experienced spinners may have extra wheels to lend out as well. At any time, I usually have at least one wheel out on loan to a new spinner -- and often more than one.

The second best thing you can do is find a fiber shop or fiber show that you can get to in person, where there is a selection of wheels that you can try out, again with expertise handy to help you figure out how things work. This is what experienced spinners will generally tell a new spinner to do if at all possible -- there are so many individual variables that it's impossible for someone to be sure that what really works for one person will work as well for another person.

It's not an absolute requirement that you find in-person assistance, but if you have never spun before, never seen anyone do it, and have no idea how wheels operate mechanically, it will make a huge difference to be able to get a little orientation. A few minutes with an experienced spinner can save you a world of frustration and possibly even prevent unnecessary damage to your equipment. If you absolutely can't meet a real live spinner or do any in-person testing, don't let that stop you -- but if you have the option of going to a real full-service spin shop, or meeting with experienced spinners, don't let anything stop you. It's an incredible leg up on getting started.

Those things said, there are a few things to consider when you start wheel shopping, which a little advance thought about can really prepare you to get the most out of a trip to try out wheels. The first is your lifestyle: where, and when, do you expect to spin? Do you have a good-sized dedicated space that's where you expect you will always be spinning, or are you uncertain? Do you want to be able to spin sitting on the sofa watching TV or visiting with other people? Do you think you'll want to take your wheel with you from place to place, or travel with it? If nothing else, this can help you rule out choices because they simply won't fit your lifestyle or your space.

The second thing to consider is if you have a sense of what kind of yarn you feel you're most interested in spinning. Although a skilled handspinner can spin pretty much any kind of yarn on pretty much any type of equipment, the fact remains that different setups are not always best suited to the same things. Although the majority of modern "mass-produced" wheels are aimed at being multitaskers that can easily handle a wide range of things, if you know for certain that you have a specific interest that's on one side of the spectrum or another, you might do well to choose a wheel that's less aimed at versatility across the middle ground, and more tuneable for what you think you want to focus on specifically. If that's the case, a good idea might be to contact people who you know regularly spin yarn like what you want to spin, and ask them what kind of wheel they use. Chances are spinners will be delighted to expound upon their wheel choices and give you all sorts of useful information that you can add to the pile of things to think about while you shop.

Most newer spinners shopping for a first wheel, however, are not likely to have complete confidence that they know exactly what they want to spin most of the time. In this case, it makes very good sense to choose one of the aforementioned multitasking wheels that currently dominate the spinning wheel market. In addition, many new spinners these days do not have ready access to a real live spinner who can help troubleshoot or answer questions or show things in person, and must rely on literature and the Internet for help. This can mean it's a good idea to choose a wheel that many other people use, so help is just an email away, or even already present in searchable, archived mailing lists and forums on the web. Don't discount how instantly you can find the answers to your questions by searching through past discussion! Chances are good that if you have a question, someone else had it first and it's been answered. The Internet is a great resource.

New or Used?

Used wheels can offer a great value, and with proper maintenance will retain essentially the same price value that you paid for it; if you decide you don't like it after all and want to sell it, you'll get almost all your money back. You can often get a much higher-end wheel used than you'd be able to afford brand-new; and sometimes, someone who is selling a used wheel will be selling it with a range of add-ons, accessories, and extras which they won't be using anymore without that wheel.

However, as a new wheel spinner, it can be hard to know whether or not a used wheel is in good working condition and operating as it should. In some cases, people are selling wheels that have sat unused for a long period of time, often deteriorating or having pieces run off without anyone even realizing it. And sadly there are a handful of disreputable folks selling wheels that they know have problems, and such problems may not be apparent right at the outset. Consider, too, that you may not get much (or anything) in the way of documentation or manuals with a used wheel. You may be able to find such information online, but it's not a guarantee, and even if you do, accuracy might not be 100% either.

Don't rule out a used wheel, but if you don't have an experienced wheel spinner handy to help you evaluate it, or you can't check it out in person, or you don't really know the seller, be aware there are risks and potential frustrations that you might encounter with your purchase. Excellent sources for used wheels can be a local spinning and weaving guild (where you also might find rental or loaner wheels), local fiber or yarn shop (perhaps they've got a for sale bulletin board), and several online sources, such as the Yahoo! group spin-sales (only for active members of the Yahoo! group spin-list, but that's a list worth joining), the Spinners, Weavers & Knitters Housecleaning Pages, and various for-sale and marketplace groups on Ravelry. Although there are often used spinning wheels on eBay, condition is a much more hit-or-miss proposition with those wheels than these two sources; and the same goes for the classified ads in your local paper, or your local Craigslist, where you might get very lucky, but you also might not. If you are able to make contact with other spinners via the Internet, ask them to take a look at online listings for you and give you an honest opinion before you buy. You could save yourself quite a bit of time, money, and disappointment.

A used wheel that isn't in good working order can end up costing you more than buying new. This doesn't mean there aren't great deals out there, but don't assume that $200 used wheel is actually a better deal than a $450 new one -- it could easily cost you $250 to get it working again. Or more. If you aren't sure, and you can't spin on it, you may not want to take the chance.

Antique or Modern?

Antique wheels, while often beautiful, will be subject to all of the potential down sides of any used wheel, in some cases multiplied over a longer span of time. They also may be incomplete and really being sold as decorative items rather than working wheels, and can be expensively priced because of that as well. Even when an antique is in good working order, another thing to consider is that such wheels were generally made to spin specific kinds of yarn, and aren't likely to be strong multitaskers. They'll also often make use of more complicated systems to operate, and finding replacement parts or someone who can do repairs can be a bigger challenge. Unless you have someone handy who knows a lot about old wooden machines (or you are such a person), as well as about spinning, an antique wheel could pose a significant challenge for a new wheel spinner.

Most modern wheels, by contrast, are designed with versatility in mind rather than being aimed at production spinning of specific types of yarn; they often use modern materials and design elements like sealed ball bearings which make for less maintenance, simpler systems, and more readily replaceable parts.

While antique wheels are often quite fabulous, they can also be a labour of love to get working and to care for, and that doesn't always make for an ideal first wheel experience. Does this mean you shouldn't let your grandmother give you her old spinning wheel? Absolutely not -- see the first paragraph of this article, that says a gift wheel is almost never worth turning away, and this is particularly true if it's a wheel with which you have a personal connection. However, bear in mind it might not be the easiest first wheel in the world, and you might not be spinning the yarn of your dreams on it immediately.

Single vs. Double Treadle?

The cold hard truth of the matter here is that it pretty much doesn't matter. Both systems work well, both are implemented in a variety of different ways, and there are good ones and bad ones of either variety. If you happen to know (say, from having used a treadle sewing machine) that you really like, or really hate, one kind of treadle mechanism or another, you can take that into consideration -- but barring a known physical problem that pushes you to one side or another of the debate, the bottom line is, this is a question of personal preference. Don't rule out a wheel because it's one or the other, unless you've tried it or you have firm and absolute reason that you must have one or the other (like you only have one leg you can use to treadle, or you have knee problems that rule out getting one leg very tired). As it happens, I have the latter issue, so most of my wheels are double treadle -- but I do have at least one single treadle wheel which causes me no trouble at all because I can switch legs easily, so long as I remember to do so. I also have multiple double treadle wheels which can be operated with only one foot.

You can spend a lot of time thinking about whether you want single or double treadle, and the truth of the matter is, it's not worth worrying about extensively in most cases, not for a first wheel. Let your gut decide.

Scotch Tension, Double Drive, what?

The short answer here, too, is that it sort of doesn't matter, because as a new wheel spinner you don't have preferences yet, and whatever you learn with is going to be part of what shapes those preferences, at least for a while.

The longer answer is that there are basically two kinds of systems for driving spinning wheels, and these are single drive and double drive. In single drive, the drive wheel is connected via a drive band to only one thing, a whorl connected to either the bobbin or the flyer. In double drive, your drive wheel (the big wheel) is connected via a drive band to both of those things. A single drive wheel has a drive band that is one single loop, and only drives one thing; a double drive wheel has a longer drive band that is in two loops and it drives two things -- the bobbin and the flyer.


Double Drive

In order for a bobbin and flyer mechanism to allow yarn to wind on to the bobbin, both things need to be able to turn together, and at different rates; when they're turning in unison yarn isn't winding on, and when they're turning at different rates, yarn will wind on to the bobbin. Depending on the setup, and how you have things configured, the amount of pull you'll feel on the yarn as you're spinning is going to vary. So, all types of flyer wheels do offer some mechanism by which you can adjust this. On a double drive wheel, it's generally adjusted by managing how tight the drive band is, which can be done in various ways. Examples of double drive spinning wheels include the Schacht Matchless, most antique Saxony-style wheels, and double drive Ashfords and Kromskis. Most modern double drive wheels can also be easily rigged as single drive wheels, operating in either Irish tension or Scotch tension mode (see below).

With single drive, braking action is applied to whatever item is not being driven by the drive band. If your drive band goes around a whorl attached to the bobbin, the bobbin is the thing that will start moving first, and this is called a bobbin lead system. In this case, braking action will be applied to the flyer, often with a leather strap that goes across the front of the flyer near the orifice. How tight this strap is controls how hard the pull is on your yarn as you are spinning. Single drive and bobbin lead with a flyer brake is sometimes called Irish tension. Examples of Irish tension wheels are most Babes, most older Louet wheels, and the Roberta electric spinner.


Single Drive (in this case, flyer lead or Scotch tension)

If, on the other hand, your drive band goes around a whorl connected to the flyer, then the flyer will move first, and the bobbin will follow after, and braking action must be applied to the bobbin in order to allow for wind-on to happen. This type of setup is commonly called Scotch tension. You can identify a scotch tension wheel by the presence of a separate brake band that goes around only the bobbin, often with one or more springs attached to it, and a knob to turn that tightens that brake band. Examples of Scotch tension wheels are the Lendrum upright, Majacraft wheels, the Louet Victoria and Julia.

There are good, and bad, implementations of all of these systems. For the purpose of talking about a first spinning wheel, though, I'm going to generalize a bit about wheels in more entry-level price ranges. Double drive wheels have the most consistent pull-in, but are the finickiest to adjust. Bobbin lead single drive wheels have the easiest treadling action, but the strongest pull-in and it's hard to get the takeup really really light. Flyer lead single drive wheels using scotch tension offer the easiest-to-change takeup settings that span the widest range, but can be fiddly and require a lot of minute adjustments as you go, particularly in low-cost implementations.

So what does this mean? In my opinion, if you know you want to spin a lot of fine yarn, go with double drive or scotch tension. If you want to spin more bulky yarn than anything else, go with bobbin lead single drive (irish tension) or flyer lead single drive (scotch tension). Yes, you can spin anything with anything if you're a good spinner, but that doesn't mean you have to, or that it must be your first choice. Spinning a thick, low-twist yarn on double drive can be frustrating and require more fiddling, and the same thing is true of spinning extremely fine with bobbin lead single drive wheels.

Just as an added consideration, any double drive wheel could, with relative ease, also be manufactured to include a scotch tension setup option, and there are a number of wheels on the market today which offer exactly that combination. These are extremely versatile wheels that offer a lot of room to grow.

What about drive ratios?

Drive ratios, too, affect the type of yarn you can easily and comfortably spin on a given wheel. For a lot more detail on this subject, take a look at my recent articles about drive wheel size and drive ratios, here. The short version is that bigger numbers in the drive ratios mean the twist gets in your yarn faster, which is great for fine yarns; smaller numbers mean the twist goes in slower, which is great for fat yarns. I generally recommend that new wheel spinners look for a wheel which can use a fairly wide range of ratios, as this is a key element in versatility, and one of the things about spinning with a wheel that really uses mechanical advantage in ways that broadens a spinner's capabilities. Drive ratios are like gears on a bicycle or in a car; you want several, for different purposes, in order to get the most out of your equipment.

What about bobbins and accessories?

Ah yes, bobbins and accessories! If you expect to spin a lot of 2-ply yarn, odds are you'll want a minimum of 3 bobbins. If you are looking to spin 3-ply yarn, go with 4. When you're looking at wheel prices, also look at what they come with in terms of bobbins, flyers, and any accessories -- and price those out individually. You may very well find that some new wheel packages are significantly better buys than they appear simply by looking at the numbers on the total packages -- they're not all the same.

If you're looking for a setup you won't outgrow quickly, and that won't send you back shopping for a few more things in very short order, I recommend either choosing a new wheel package that comes with 4 bobbins and a lazy kate that can hold 3 bobbins, or else buying an additional bobbin and a 3-bobbin lazy kate. Another accessory you'll likely find very useful is a skeiner or a niddy-noddy, for making skeins from your yarn, which you'll want to do in order to wash it and finish it and so forth.

This is a lot of information. Just tell me what I want.

Okay, okay. For a "you can't go wrong" versatile, general-purpose first spinning wheel, I think you want one that offers the following:

  • a good range of ratios, or add-on kits that can extend the ratios you spin at
  • a scotch tension wheel, or double drive wheel that can be rigged for scotch tension
  • a wheel that either comes with multiple flyers and different sizes of bobbins, or for which that's available
  • a modern spinning wheel, not an antique
  • at least 4 bobbins total, and a lazy kate or similar device to hold 3 of them
  • a wheel that you can try out in person and make sure you actually like how it feels!

So how much can you expect to pay for all these things? Used, it very much depends; $150-500 for a lot of entry-priced, very solid wheels with all accessories, in good working order, though there are custom and high-end wheels on the used market as well, which can be priced much higher.

Please note that the following prices on new wheels factor in costs such as tax and shipping; and on sale, it may be possible to find them a little cheaper. When shopping for a new wheel, I definitely recommend a new spinner try to purchase one from a full-service spin shop, ideally one close enough to go visit for service and support if necessary. Obviously, not everyone will have a local (or even local-ish) fiber shop, so if you don't, I'd recommend mail-ordering from a great and reputable dealer who's been in the business for a while and carries a wide range of products for spinning. Your dealer is your first line of support, and can make a huge difference for you. Even though I am a very experienced spinner and am regularly in direct contact with wheel builders, I still usually get my wheels, parts and service through a handful of dealers I've known for a long time. Those dealers with whom I have longstanding relationships know me, know what's coming out on the market, and can always give me the fastest service and support that's most tailored to my needs. What's more, they're available on a retail schedule, which wheel builders may not be.

New, for $300 and under, you can get something from Babe's Fiber Garden. These are consistent and reliable performers made from PVC, you can get similar accessories and in some cases make your own, and they're all but indestructible. They're a great value, and Nels Wiberg, their maker, is a great guy who stands by his products. There is a strong and vibrant community of Babe aficionados who can provide you with a lot of advice about these wheels.

For $400 and under, you can get a Fricke S-160. These are durable, rugged, very versatile, quiet, and low maintenance. By default, they come with a delta orifice, but a standard tube orifice is also available. If you don't know what that means, don't worry -- you probably don't care yet, and won't until after you have some spinning miles on your odometer.

For $500 and under, you can choose from offerings from Ashford (the Honda Civic of the textile world -- everyone has one, or has had one, so everyone knows how they work, you can always find a used one and you know you can sell yours used too), Baynes (terrific wheels at a great price, that perform on par with many higher-priced wheels), and Kromski (like the Baynes, fully functional wheels at a great price, and every one is both double drive and scotch tension).

The Baynes and Kromski wheels are the most affordable "traditional-looking" and decorative wheels around, so if a historical look is important to you, these are in my opinion your best options. In this same price range, if super-mega-extreme fine yarn (and I mean as in the kind of laceweight yarn you use for a wedding ring shawl) is not an immediate interest for you, consider bobbin lead offerings from Louet, which are modern in design, durable, and much loved by their owners for their extremely strong performance and ease of maintenance. These wheels, such as the S17, S10, and S75 are icons of the spinning world -- especially the S10, which is quite possibly the most indestructible wheel ever built, even without factoring in Louet's superb lifetime warranty.

Perhaps the strongest offering to come on the scene in this price range recently is the Majacraft Pioneer -- fully compatible with all Majacraft accessories except the accelerator head, the Pioneer is an exceptional value in a wheel you won't outgrow. I'd rate this wheel as the most versatile all-around option under $500.

For around $600, an extremely popular choice is the Lendrum folding wheel, or a Fricke that's been equipped with level-wind flyer and bobbins. New in the past couple of years from Schacht, the Ladybug is a terrific lower-priced sibling to Schacht's venerable flagship wheel, the Matchless. Capable of double drive and scotch tension, and with all bobbins, flyers, and accessories entirely compatible with the Matchless, the Ladybug is a winner for any spinner at any level. Also in this price range you can get Louet's new Julia, a wheel I'm confident will ultimately see the cult status the S10 enjoys, only in flyer lead.

So what's my number one recommendation, supposing you just have to order something right this minute, and you can't go try anything out, and you want to get the best bang for the buck? The Fricke S-160, which of all the teaching wheels and student wheels I've owned over the years, is the only one I've kept, and the one I find most of my students get the most mileage out of the fastest, and keep the longest. The number 2 spot goes to the Lendrum, followed closely by a tie between the Majacraft Pioneer or the Schacht Ladybug, with Louet's Julia rounding out the top 5.

Supposing the same thing, but adding in a desire for historical appearance, I recommend the Kromski Mazurka or Minstrel, or the Baynes.

Supposing you've no idea if you'll like having a wheel and you don't know how long you'll keep it and you want to be sure you can destash it quickly, get the ubiquitous Ashford Kiwi, Traveller, or Joy, or look for one of these used.

A final note

The specific wheels I've discussed are all generalist wheels, multi-taskers, and I've left out serious travel wheels, specialty wheels, and wheels priced over about $700. Price ranges given figure for paying tax or shipping and possibly an extra bobbin or something of that nature. I'll cover wheels upwards of $700 at another time, but generally set that as a likely ceiling for a first wheel purchase. Links provided are to wheel manufacturers or reviewers, and not to vendors; I strongly recommend finding a local fiber shop if at all possible, and giving them your support as well as making use of them as a resource.

If you have questions or comments about any of these wheels, I'd love to hear them -- please don't hesitate to leave a comment and share your experiences, or ask about wheels not mentioned here.

1. What is spinning from the fold?

The short answer is this: you take a not-very-long length of spinnable fiber, and instead of presenting it end-first to be spun, fold it over. Instead of drawing fiber off the end of your supply, it now comes from the folded part in the middle.

Linda Diak from Grafton Fibers did a photo tutorial showing one take on this, and countless spinners have learned this concept thanks to her tutorial! Thank you, Linda!

You can see another approach at The Joy of Handspinning, down towards the bottom of the page in that link. This one features a short video.

If you've looked at both of these now, you will probably have noticed a major difference: Linda's method drafts from the side of the fiber that has been folded over, while the one at Joy of Handspinning drafts from the middle of it. Linda is using wool top, and the Joy of Handspinning spinner is using silk sliver.

I sometimes like to use yet a third method. In both of the methods seen so far, a finger is kept inside the folded-over fiber. I often don't bother with that.

Clicking on the image will take you to the Flickr! page where that tutorial starts (about spinning from a batt).

What all of these methods have in common is that the fibers we're working with are presented to the twist sideways; when they're spun up, they will basically be folded in half.

2. Why would you spin from the fold? What conditions (fiber, spinning style, time of day…) cause you to want to spin from the fold? How often do you use this technique, and why?

The list of reasons is quite long! The first set deal with the mechanics of spinning: many people find certain fibers easier to control with these techniques or variations on them. Slippery, long-stapled fibers may be easier to keep a handle on; short fibers may be easier to keep together and drafting smoothly. If you're having trouble controlling a fiber when spinning it from the end, try it from the fold and see what you think.

Related to that, spinning from the fold may make some drafting techniques possible for a preparation of fiber that isn't ideally (or theoretically) suited for spinning with those techniques. For example, spinning commercial top from the fold allows long draw techniques which are generally not as feasible when spinning commercial top from the end.

Third, the yarn you get spinning from the fold is often different from what you can get if you spin the same prep from the end. Why? Instead of being laid out straight and parallel, your fibers are folded over. All your fiber ends will be facing one direction in the yarn, instead of both directions -- so you'll get a yarn that's a bit rough or hairy one way, and very smooth the other. You can get heightened halo and fuzz in your yarn, while it's still smooth to work with. Also think about it this way: take a piece of hair, and fold it in half. It wants to straighten back out. Even if you've twisted it, it still has that tendency. So it is with the individual fibers in yarn spun from the fold; they want to straighten back out. This means you can maximize the extent to which your yarn will puff up after spinning, and get some loft in fibers that otherwise don't have much, or get lots of loft in fibers which do tend that way.

Fourth, you get different colour effects spinning from the fold than spinning from the end. In a handpainted top with clear delineations between colour, where you actually have fibers that are half one colour and half another, having the fibers end up folded over in the yarn can make these distinctions less glaring, giving your yarn an effect of concrete colour changes that still have shading between colours, rather than a marled or barberpole look. Or if you have a fiber which has multiple colours running the long way, spinning from the fold can let you control the sequence of those, and keep discrete colour changes so you don't end up with muddied colours.

Fifth, in blends where you have really different fibers, or widely divergent staple lengths, you may find it easier to make sure you are keeping the blend blended as you spin. Take, for example, a cashmere/silk top: if you spin from the end, you may find you've pulled out all the silk and spun it, while leaving the short-stapled cashmere piling up in your fiber supply hand. If you habitually hold your fiber supply rather tight, this is more of a risk than if you're loose with it. Spinning from the fold, you'll have things draft more evenly blended.

So, putting all these things together, there are several kinds of yarns I might spin this way. First, let's say we've got some alpaca locks,

and I want to have them turn into a yarn with halo, spinning them right from the lock.

I flick the locks open,

fold them over,


and spin away,

using a short forward draw.

I smooth the spun yarn down as I go.

I spin two bobbins or spindles, and then rewind them, and then ply them, again smoothing the yarn down as I go. I now have a yarn with latent halo; it will come out while working with the yarn, but mostly after it's in the finished object. The yarn is easier to knit with, possible to rip back with, but it's going to halo like crazy when we're done.

Or, maybe I have commercial 50/50 merino/silk top that I'd like to turn into a bouncy, springy, elastic yarn with a strong tendency to poof out and be full in the stitch. I spin this from the fold too, but using a long draw method, not squishing the air out of the spun yarn as it forms. I spin three bobbins or spindles full, then do a 3-ply yarn with lots of twist in the ply. I wash the yarn aggressively, fulling it with a hot-cold routine including agitation, and then let it dry unweighted. The result is yarn that is almost shockingly springy, even though silk has no memory. We've maximized the springiness the merino brings to the blend.

3. What types of fiber can be spun this way? What prep is best? Do locks work?

Anything that you can get into a chunk of fiber that you can fold over! You will get the most folded effect in the yarn, though, from locks or a combed preparation. A carded roving preparation has fibers going in many directions, and though you may get the benefits of greater control from using these methods, your yarn won't seem as dramatically different.

You couldn't use these techniques with loose fluff, punis, firm rolags, cotton from the seed, or line flax (unless you cut it). Anything else is fair game. Locks of long-stapled fiber are a pure delight to spin this way.

Really thin, really loose preps can be harder to spin this way, because there may not be enough fiber there to really get going. Pencil roving, or commercial tops that have been stripped a lot, are much harder to do this with.

Here's a batt I'm going to spin from the fold soon:

4. Can you do it with a spindle??

Of course you can! In fact, I usually spin from the fold when spindle spinning, because I'm often on the go and just having a chunk of fiber is easier to deal with sometimes than having a long roving. Linda Diak's example in the link at the top is using a spindle, as are the photos with the alpaca lock.

5. do you spin with it over your finger? or do you fold it and then just keep it in your hand like normal fiber?

It depends! If it's a very very slippery fiber I might keep it over my finger (and might use the index finger or the middle finger). If it's less slippery, I may just fold it and go. For some fibers, I almost just spin from the side, without even bothering to really fold.

6. how do you prevent the little loops at the top of the fold from popping out at times while you’re spinning?

Practice! ;-) From time to time, you may want to stop and rearrange your fiber to make sure it's still smooth and cohesive. Sometimes the loops pop out anyway, and you just draft them out when they do.

7. do you need to loosen up the fiber a LOT when you spin from the fold? or is the normal roving split a couple times enough?

It depends on the spinner. Generally speaking, if we're talking about commercial top, I absolutely do not split the top, and I definitely do not do any predrafting beyond giving the fiber a bit of a shake. Your fiber does need to move freely, but you don't want it too loose and open, or you're at risk of losing the flow. I just tear off chunks of the top at the width it already is, and go.

For some spinners, the fiber that really works best for this is a commercial top that is somewhat compacted. When I teach long draw, I often teach it spinning from the fold with commercial top. For a long time, I took only fairly loose and open commercial top; but then in a recent class, I also used some fairly compacted stuff, and to my surprise, the folks who had been having a tougher time getting a feel for the long draw with the more open prep just took off running and were brilliant with the more compacted fiber. So now I always take both.

I do this with fine fiber batts, like Pistachio here, which is 40% Merino / 40% Tussah Silk / 20% Baby Camel.

8. how do you spin super thin when you spin from the fold? (i’m having issues getting it thin enough with it being doubled over itself)

Once again, most of the answer here is practice. Try the variations: from the side of the fold, from the back of the fold, from the side without the fiber explicitly folded, holding it over a finger, not using a finger to keep it in place... you'll probably find that different specific batches of fiber react differently to each of the variations, and that you find different things comfortable depending on the equipment you're using and your preferred style of spinning as well.

In general, try loosening your grip on the fiber supply, and moving your hands a little further apart while drafting. This will probably allow you to draft the fiber out thinner.

9. what is spinning from the side of the fold? vs spinning from the fold itself?

Linda Diak's example is from the side of the fold; from the back of the fold is more what you see in the Joy of Handspinning video. For most fibers, most spinners find it easier to do this from the side of the fold, but it really does vary depending on fiber, prep, and spinning technique.

10. What is your experience with spinning from the fold and how it affects the colors in a painted roving?

In a painted top where the separations are distinct, you can get much finer control of how the colours shade than you can when spinning from the end. In a striped one, you can choose to have a more heathered look, or a stripier look.

11. Whenever I try to do it, I spin from the fold for a short time, then it ends up going back to my regular spinning. Am I taking on too much fiber at once?

Most likely you just have well-developed habits and things that have become instinctive for you. You'll have to catch yourself, and stop and rearrange your fiber again, to shift your habits a bit. It takes more time to develop the ability to switch techniques at will than it takes to develop habits in the first place. Give yourself time and be patient.

12. What does this do to the finished yarn? Worsted, woolen…something in between?

Where it falls on the spectrum depends somewhat on the preparation. If you have a combed prep or flicked locks to start with, you're starting with a worsted preparation, and you'll be spinning your parallel fibers so they're just folded over. I (and a few other people, such as Judith MacKenzie McCuin) tend to refer to such yarns as being semi-worsted when they're spun with a short draw and you smooth the air out. It gets more vague if you use a woolen-style drafting method like the long draw, though! Then you're in a gray area where in my opinion the smart thing to do is describe the prep and the spinning technique and not try to give it a simple label. In those cases, I say things like "Commercial top spun from the fold using supported long draw."

In fact, I usually tend to do that! The thing is, in my opinion, unless you're getting really traditional and spinning handcombed longwools with a short forward draw (true traditional worsted), or spinning rolags one-handed on a spindle wheel (true traditional woolen), you're somewhere in between. I like to use the terms mostly to describe the ends of a spectrum, and I view them as historical and theoretical for the most part -- ways to talk about and classify various preparations and drafting methods. They're important methods to understand, but the vast majority of all spinning falls somewhere between those two end points.

13. How do you add new bits of fiber when you’re spinning from the fold?

Whenever I do a join, I keep the twist moving, and introduce the new fiber to the twist such that the twist grabs it and puts it into the yarn, and away we go. That's true for any join! Joining with moving twist is what makes for good, strong, invisible joins.

I don't even stop spinning. Really! With a wheel, shortly before my first tuft runs out, I grab hold of the next one to go, and holding the yarn coming out of the orifice with one hand, still treadling, use the other hand to fold the next tuft and get it onto or into my supply hand. It's like refilling the fiber supply, rather than doing a join.

Now, if the yarn breaks, or I'm using a spindle, then I get the fiber ready to go, and pick up the yarn where it's stable and strong. I pinch off the twist and park and draft to build up some twist in the yarn; I like to think of this as a twist battery. Then I introduce the fold of the fiber to the yarn and let that stored twist leap across and make the join.

14. How tightly do you grip the fiber when spinning from the fold?

As tight as I need to in order to keep it from all being drafted at once, and no tighter than that. I keep my hands relaxed and fairly open. This is important to pretty much all drafting methods! Exactly how tight that is will depend. Most spinners, for the first several years, will often need to actively focus on grasping loosely and gently, especially when working with new fibers or new techniques.


If your grip is loose but fiber isn't moving, try moving back a little bit with your supply hand.

15. I started spinning some Alpaca from the fold however it’s still extremely slippery and I’ve found much more difficult (for me) to control the width of the single. Any secret tips?

Allright, my deep dark secret here? Go faster. Speed up the wheel a bit! It's like riding a bike: it's harder to do slow than fast, for some of these techniques.

Some other things to try are either loosening your prep up a bit more before you start, or --- believe it or not -- tightening it up. Roll your fiber gently between your hands the long way, compressing it down more. Your prep is probably the main reason you're having trouble with diameter control here.

16. So, first question is, just how on earth do you get started, once you have the fiber over your finger? With ordinary spinning, I have a looped yarn that I place the fiber on and give it a few twirls for strenth. But starting with the fiber over your finger just utterly buffaloes me.

The Joy of Handspinning video shows one way, but I don't do that. I don't use looped leaders in general. I either use a leader in which I build up a good head of twist and expect the twist to temporarily glue the new yarn to the leader as it starts, or use a doubled leader with an open end that can be opened up (almost like unplying) so I can put a smidgen of fiber inside the opened-up bits when it's time to start spinning.

I get started, in general, the exact same way I do a join. No tricks, nothing fancy -- just twist, and believing in it. It really works.

17. I have my first fleece, an Icelandic, and I was planning on spinning at least part of it from the lock. I’m a beginning spinner. Would spinning from the fold be the technique for this?

There's no reason not to, really. Icelandic fleece is interesting, because it's double-coated. When you spin it from the lock, you can keep both coats in the yarn and get a wonderfully lofty, long-wearing low-twist yarn. You can also manually separate the two coats with your hands much faster than you can using tools... but alas, I don't have any Icelandic locks right now, so I can't show you this wonderful trick I learned from Judith MacKenzie McCuin last year at SOAR.

I'd try several of these variations with a few of your locks, just flicked open, and see how you like it. I think it could make a wonderful thicker singles yarn done this way.

18. Often when I spin from the fold I find that I end up lopsided - that is, spinning from the end instead all of a sudden. Any way to address this?

Just stop, and rearrange. When this happens to me -- and it does -- I pull the part that's starting to go lopsided off as soon as I realize that's happening, and finish up spinning it. Then I rearrange the rest of what I had in my fiber supply, and do a join.

19. I spin from the fold when I spin silk on a spindle. I see some people use it all the time, with all sorts of fibres. I thought it was mainly for long fibres - why would one want to do it on medium sized wool for example?

It could be that they're interested in one of the specific effects we've discused, or...

20. Ok, I have a poser - why, when I have been using the spinning from a fold technique, do I then want to spin everything from the fold? Ok, silk for me is a no-brainer. But then my fingers fall into this control rut and soon superwash merino, long alpaca and even very short baby cormo are folded over my finger. It is ridiculous, but true. I am mezmerized by the fine little spiral that comes off the finger tip. I wonder if it is a slippery fiber control thing? Any thoughts?

The same thing happens to me. Spinning from the fold was the magic that broke me out of my lifelong all-worsted-style, all-the-time mindset. I think this is inevitable, that sometimes the sheer hypnotic nature of the thing grabs you and you have to binge on something. I tell myself spinning from the fold is a cheaper and healthier binge than many other possible binges, so it's all good.

From time to time, the question arises: Why are there so many heavy spindles marketed as being "Great for beginners!" and so on? We're talking about spindles weighing 3-5 ounces (85-140 grams), with big fat dowels for shafts, and generally low whorl. "Would you ever use this thing?" people ask. "Could you?"

Well, sure.

That was a great spindle, and I used it all the time. Its primary purpose was plying, but I spun on it too. I used pretty much no other spindle between the ages of 7 and 10 (I'm 8 in that photo). During that time, I mainly spun weaving yarn -- fine, high twist weaving yarn. I've no clue what it weighed, but it was probably right in that 100 grams-ish range.

Let me tell you, that spindle was indestructible. It was exactly the kind of thing you'd give to a kid who's constantly on the go. That spindle knocked around in bags, got crammed into backpacks, dropped from extreme heights (you know, doing stupid yarn tricks), tossed around like crazy, used to thwack sheep, jabbed into the ground, used to pry rocks out of dried mud or dig up a pot shard that looked interesting, used to doodle in the dirt, sift through smoking hot dirtclods to stab a potato baked in a dirt clod oven, oh, I'm sure the list goes on. If you can think of a potential use for a stick, that spindle probably did it. And still got used to spin yarn.

In the USA at that time -- let's say the late 70s and early 80s -- spinning yarn was a fairly fringe activity, engaged in by a very small number of people, most of whom either had some fiber animals and were living a farm-type lifestyle, and a few of whom had some sort of academic interest in the pursuit. Knitters were in the closet in those days, crocheters were all about the granny square afghan from Red Heart, and weavers occasionally spun, but mostly didn't. If you wanted a spinning wheel, and you found one, it was an antique, or it was most likely a kit-type wheel from Ashford or Louet. As for spinning fiber, well, it came from someone you knew with a fiber animal.

Think about it. There was no Spin-Off; if you were lucky you could find books by Mabel Ross, Allen Fannin, and Peter Teal, and if you were lucky they were about objects you could find, but they generally really didn't touch on spindles at all. Sometimes you might see a spindle demonstration, but rarely were there classes. I think there were literally four or five dudes who made spinning wheels. You'd hear that in Europe, you could buy fiber and equipment. And all in all, spindles were an afterthought, a curiosity, something that you might use to get started, maybe. If you were getting started at all, in a pursuit that had so few people doing it. I mean, there are probably more people who build fully functioning 1/18 scale gasoline engines, hand-machining their parts, than there were spinners in the USA at that time (and I've seen one of these engines at a car show one time, and it blew my mind, but my google-fu fails me. Which clearly points out how few of these hobbyists there are... which is my point). Seriously, nobody spun; and if they did, they didn't do it with spindles, by and large.

But anyway, without a doubt, most of the 2 dozen or so spindle spinners in the US at that time spun -- and taught -- with large, heavy, low whorl spindles. There are lots of reasons for this; and first of all, I'm going to send you off on a jaunt over to Jenny's blog, to read her Ode to a Low Whorl, which eloquently covers many of the fabulous things low whorl spindles offer. Without reiterating too much of what Jenny says, all of which I totally agree with, I'll present a quick list of benefits of the low whorl:

1. Stability. With the weight at the bottom, low whorl spindles are less vulnerable to interrupted spin than top whorls. A low whorl, if it wobbles, generally keeps spinning; a top whorl with a wobble is more likely to stop sooner or feel really jerky.

2. Sustain. Low whorls are more prone to spin for a long time than high whorls.

3. Slop tolerance. Because of 1 and 2, it's easier to build yourself a low whorl spindle that will get the job done, than a top whorl. I know I'm not alone in having stabbed a potato with a stick and used it to spin. That works with a low whorl; it doesn't work so well with a high whorl.

So if you're building your own spindle -- as you would have been before the ready availability of fabulous tools we have nowadays -- you're going to have better luck with a low whorl. It's also easier to make a low whorl that doesn't need any other hardware (like a hook) than a top whorl with no additional hardware required.

So what about weight? Well, here's another interesting thing. What most of the folks who taught anybody to spin with spindles were running into as a huge problem back in ancient history like the 1980s was that spindles would backspin in nothing flat, students wouldn't catch it, drafting on the fly was giving folks problems, and so anything with more momentum was a help. People weren't really teaching park and draft then so much. So you needed a spindle that would keep going even if you were spinning chunky thick and thin beginner yarn -- and that's a heavier spindle.

Fast forward a little bit, and there started to be some great information about spinning, much more readily available, and more tools, and a wider range. I personally think Priscilla Gibson-Roberts' High Whorling is an exceptional book about spindle spinning, filled with technique and real useable how-to info; the new edition is called Spinning the Old Way. It's an excellent book, and really makes spindle-spinning accessible... but it focuses on high whorl spindles! Sometime in the past 10-15 years, we've started to see tremendous improvement in the availability of information about how to spin with spindles... but most of it has just not talked about low whorls at all.

What's more, in that same span of time, suddenly we started being able to get a wide range of fabulous fibers, prepped, dyed, totally ready to spin (again, not something we had back in ancient history like the 70s and 80s). The world of the beginning spinner, and beginning spindle spinner, and heck, spindle spinner or spinner at large, has really changed. What's available, where, and at what price... much of this is a matter of fashion in the spinning world as it is elsewhere.

So, would I say the heavy low whorl spindle is still the ideal place to start? Well... yes and no. It depends. In a perfect world, you'll start with some loving handspinner shoving tools and fiber into your hands, demonstrating, taking you shopping, and shepherding you on your way. In an almost-perfect world, you'll start with something that just speaks to you and makes you want to use it, want to fiddle with it, want to play around. But in reality, you're probably going to start with whatever it is you first get your hands on. Admit it. We both know it, and it's okay.

If, then, you find yourself with a heavy low whorl drop spindle in your hands, and folks are telling you it'll never work, don't despair! It can; and the truth is, chances are you're going to feel clumsy and awkward no matter what kind of spindle you have in hand. But down the road, you'll find yourself acquiring more skill, and as you do, you'll start to develop your own tastes and preferences. As you spin, too, these will evolve and shift. Eventually a time will come when you likely have a collection of spindles in varying weights and configurations, and you'll have different feelings about them, and choose from them at will. It's sort of like having kitchen knives. Do you need a cleaver? Maybe. What about a filet knife? Depends. But I think you need a chef's knife, a paring knife, carving knife, and a bread knife at a minimum... and learning to use those tools effectively involves different things for each one. So it is for spindles.

What do I start people off with? Honestly, I give 'em fairly heavy, somewhat imperfect low whorl spindles with lgreat durability, explain what makes the spindle work, and tell 'em where to find materials to make variations, and point 'em to local fiber shops or festivals to shop for more, of various kinds... which these days tends to mean "high whorls." I don't worry about people finding good info about high whorl spinning, or finding great high whorl spindles; but decent (or any) low whorls and good low whorl technique are harder to come by, so I like to make sure those are things I provide, in addition to the in-vogue high whorl stuff.

So summing up, don't discard that boat anchor! You may find you really like it down the road. Seriously. I'm not making this up.

Oh... and lest you thought I'd forgotten about the sock yarn series, I have not! Colour is coming up, but I'm waiting on some skeins to dry so I can swatch them and take pictures. Bright, colourful pictures. Why? Because it's March, by gum, and we could all use a little colour. With or without a U. Hi, Sara.

For those of you coming to Beth's place in Michigan later this month, I'll be bringing the upcoming sock yarns, along with fiber for them, and you'll learn how to reproduce them (among other things).

One last piece of news to report, also: I'm delighted to tell you I've been selected as a mentor for Interweave's 2008 Spin-Off Autumn Retreat! I absolutely can't wait (but yeah, I know, I have to). It promises to be loads of fun and I'm hoping to see lots of you there. I'll be teaching a 3-day workshop called Spinning For A Purpose, and four half-day retreat sessions on maximizing spindle productivity. I feel deeply honored to be included in the lineup this year -- what a lineup it is! It's hard to believe it's barely March and I'm already looking forward to fall.

Why Spinning Yarn Is Like Cooking Potatoes... and Dancing

Continue reading "Drafting, Predrafting, Prep, and Control" →

What Do I Need To Start Spinning?

August 28, 2007 11:56 am | Filed under Articles, Getting Started, Handspinning

Getting started with handspinning does not require a huge investment. Although there's no reason you can't spend as much as you like, and start right out with expensive equipment and materials, it's not required at all.

At the most basic level, what you need a simple spindle, and some fiber. Simple spindles are even extremely easy to make! I make my quickie spindles by going to the hardware store, picking up some dowels, and then picking up some wooden drawer pulls. Then, I drill a hole through the center of the drawer pull, cut the dowel to 10-12 inches in length, stick it through the hole, sand any rough edges, and voila. This type of spindle most closely resembles the Andean pushka spindle, and is the type I'm using in my Drop Spindle Basics video.

Can't, or don't want to, drill a hole? Instead of a drawer pull, pick up some toy wheels from practically any craft supply store or section of a superstore, and follow these instructions, with or without the hook.

That's it, seriously -- that is all you absolutely need for equipment.

Some folks like to put hooks on their spindles -- personally, I don't. Low whorl spindles don't need them, and indeed, I find hooks on low whorls to be counterproductive and slow me down. High whorl spindles do need them, or some other solution to getting the yarn into the center of rotation. Thus, you might opt to pick up a few cup hooks on your hardware store run, as well.

In addition to the drawer pull and toy wheel spindles, there are CD spindles. Seriously -- just take some CDs you don't care about, find a stick (or dowel), and voila. I've made these with pencils and rubber bands, at random times to show people what spinning is. But if you want to be less improvisational about it, take a look at this Spin-Off article on making your own CD spindle.

If that wasn't enough simple spindle making solutions, you can also make 'em using a clay whorl. You can use modeling clay, Fimo, fancy clay, any kind of clay you like. Make a ball of clay, flatten it into a disc, and stick your spindle shaft through it. Let it dry and voila.

Another quick improvised spindle option -- which can be really beautiful -- is to take a chopstick and a large, flat bead with a big hole in the middle. You can hold the bead whorl in place with a rubber grommet or some tiny hair rubber bands.

When you get right down to it, you don't even really need to use anything other than a stick -- but, spindles with whorls do perform better long-term than unwhorled sticks. However, you can also do things like simply take a wire coat hanger, cut out the bottom piece, use pliers to put a hook in it, and use that, simply by drafting out bits of fiber and twirling the hooky stick in your fingers. Numerous books recommend this as a very first starting tactic, to get a sense of drafting fiber.

Okay, so with that covered... then you need fiber, right? At the most basic level, it almost doesn't matter what you use for fiber at the very start. I have made a few suggestions here, though, if you're looking to shop for some. If someone has given you fiber, or you have your own, by all means, use it!

What's more, you don't even really need any equipment at all to prepare your fiber for spinning. You might like some, and eventually, you'll doubtless find that you want some, if you plan to work from raw fiber (which is what we call fiber that's just been sheared or harvested). Seriously -- you can pick up, say, raw wool, and tug at it and draft it and twist it and get yarn. You don't even have to wash it first (though you may well want to). One important caveat to mention for anybody working with raw animal fibers, though, is that unwashed animal fibers are liable to contain things like dung, and animal dung can contain bacteria which may be harmful to some people. If you are immunocompromised, or pregnant, or under doctor's orders to avoid bacteria, you might rather start with washed animal fibers. It's sort of like cleaning the litterbox or dealing with certain elements of livestock handling, and your individual situation may vary.

Be sure to check out what Andrea has to say about picking fiber by hand.

That said, you can get great mileage out of pet combs and brushes, for simple fleece preparation, but that's another topic for another day.

Lastly, chances are you'll want a reference. In a perfect world, the world which is best suited to you learning to spin really quickly and enjoyably, the reference you will have is an experienced spinner who wants to get you hooked on spinning, and can spend time with you in person. You can often find these at fiber guilds, fiber and yarn shops, and by asking around on mailing lists. Second to that are books (which will be the topic of another upcoming post, and generally can be found at the library though you may need to request specific titles) and the Internet (which you presumably already have started poking through, since you're here!).

Well, there we have the most basic, low-cost things that you absolutely need to start spinning yarn. It doesn't have to be a costly or high-maintenance proposition. You don't have to take classes, buy fancy equipment, high-end fiber, or anything like that. You could get well on your way with $5-10.

On the other hand, let's say you wanted to spend a little bit more money and a little less time. Let's say you wanted to spend about $25. Here's a list of a few mail-order learn to spin kits which I would recommend:

And that's just a few.

Without a doubt, the best thing you can have to learn to spin with is a person who spins. Most spinners are eager to help people try it out!

Well, April has certainly been a busy month so far! I feel like I'm hardly sitting still long enough to get to about 75% of the things I thought I would... in March!

However, I do have a few things to show for my month so far. One of them is this:

Her name is Kaylee (yes, it's a TV/movie name) and although she looks incredibly sedate and peaceful in all the photos so far, right this second she's perched on the back of my office chair with her forepaws on my shoulder, trying to eat my hair. Essentially, if she can be caught on film, it's probably because she's sleeping!

She's fitting in well with the big kids, however. She's a chocolate European Burmese, and she is the playin'est kitten with whom I've ever shared a home.

I'm making good progress with spring cleaning and fiber rotation. I try to do it quarterly, but it sometimes ends up pushed out to 3x a year. But in any case, when I do it, every fiber item in the studio must be inspected and gone over; nothing can be allowed to sit in dark corners untouched, unmoved. I'm sure there are a few of you reading this who know exactly why that is -- for the rest of you, let us just say that it is as a precaution against The Scourge Which I Shall Not Name, Lest I Invoke It; a pestilence which, the last time it visited, caused me to moan, "Why couldn't it have been lice instead?" Or zombies.

Anyway, there are logistical considerations to all the materials rotation tasks; silks must have a long-term storage place which doesn't have direct sunlight on it all the time, for instance, and I keep fibers to which some people react separated from other fibers as well-- so the mohair and angora need their own safe spaces, just as cats aren't allowed in the studio. Those things wouldn't be true if it were all just fiber for me, but I'd hate for a customer to end up having a reaction despite everybody's best intentions, so I do what I can.

The spring cleaning sale, ending tomorrow, has been pretty successful -- I'm all but out of custom blends! Clearly, you all need me back in the studio slaving over a hot carder, not to mention making sure I have a couple of dye days this week. But here's a little preview of what you can expect to see coming up for sale Wednesday:

There's other stuff too, and there might be even more other stuff, if I can manage to get out from under this kitten and get to work today and tomorrow.

Of course, I've been spinning and whatnot as well, and doing a little light swatching and sample production...


I spun up some City Lights leftovers, and then -- surprise, folks! -- chain-plied them. This skein used roughly the contents of 2 batts, and spun up into 195 yards of chain-plied (aka Navajo plied, but I prefer to call it chain plying) yarn at about 10 wpi.

And then I chain-plied more, just to show you all that sometimes, I do things that aren't what I usually do. Or something. Here's how April Blizzard looks:

That's 95 yards of 9 wpi yarn from 1 batt; and I spun it up as part of a photo tutorial on one way to spin from a batt. I'll be adding to this over time, with additional ways of spinning from batts, but for those of you who have asked where to begin, here's one place to begin!

And that little project has also resulted in a really interesting exchange with Velma. Go check it out, and weigh in if you're so inclined!

Oh, and I just remembered: someone else asked me where I'd send a 13 micron merino fleece for processing. Without hesitation, I told her I'd send it to Morro Fleece Works. The next photo here is why; a few times a year I treat myself to something she's selling, and it's always been an incredibly good buy, and I'm saying that about having paid $45 a pound for merino. They ain't what you'd call cheap, but if I had a really incredible fleece I was going to send out, that's where I'd send it. Because of this:

It's sad, but that really doesn't do it justice. But I'm not going to go any further with this right now, because honestly, we're entering the arena of purely gratuitous fiber porn.

So getting back to some of my spinning and sampling and whatnot, I did two other chain-plied things, one of which is some Indian Summer tussah that's getting made into a Something right now, and it hasn't been photographed yet. I did do up a sock blend -- 3 batts, 465 yards, about 15 wpi chain-plied, this is Iris, which is sold out again already, and clearly needs to be repeated when I get my lazy blogging butt into the studio shortly:

I like this yarn. In fact, let's see it again:

Yeah, I like that one.

Oh, I did manage to get my yarn off for the Yarn Thing swap; by way of documentation, before I split it into its requisite 25 skeins, here it is on a kitchen scale set to measure in grams:

So, ignoring the little bit of waste and loss from splitting it into so many skeins, every skein is about a gram, and 20 yards. I'd wanted to make every skein for the swap from a single ounce of silk, and have it be a plied yarn. It looked a little silly, I have to admit, stuck into individual tiny plastic bags so I could slap a label on it because the skeins were just soooo small.

There's something else I was going to mention... Ah yes! Here's a swatch for my Indian Summer handpaint colourway, on some handspun wool/silk/mohair single. Expect to see the pattern for this scarf shortly; I want to think about it a bit and make a functional scarf, as really this is only a swatch.

Well, phooey! There's not really all that much to show for a few busy weeks, but I'll still pat myself on the back for spring cleaning. Which reminds me to let you all know I'll be throwing items from the "I'm not going to do anything with this, am I?" pile up on eBay sometime later this week; presently there are a few yarns listed, like several boucles I just know I'm not going to do anything with, ever. There'll be more... lots more.

Here's one good way to start winding yarn onto a low whorl or bottom whorl spindle, shown with a dowel-and-a-drawer-pull make-it-yourself spindle:

With spindle on its side so it's easy to control, just wrap the end of your yarn or leader around it in one direction:

Go several wraps up, tightly. You can hold the yarn on with one hand and wrap the yarn with your other hand, just to get started. You can also tie the yarn to the spindle, or make a half-hitch at the top of the shaft and slide it down, then twirl the spindle to get the yarn wound up the shaft a few times.

Once you've gone several wraps up -- the exact number isn't important -- grasp the spindle in one hand and the yarn in the other. Hold the spindle upright, and twirl it -- see how the yarn wants to wind on? If it doesn't want to wind on and it's slipping, you need to do the first wrapping bit more tightly.

Now, move the hand holding the yarn down, so the yarn that's about to wind on the next time you twirl the spindle is aiming downwards at an angle.

Once you get to where the yarn is wrapping around the bottom of the shaft, by the top of the whorl, move the hand holding the yarn upwards, so the angle of the yarn winding on changes. Keep twirling, and let the yarn wind upwards.

Now you just keep doing this, twirling the spindle and moving the yarn-holding hand up and down, watching the angle of wind-on and making sure it keeps criss-crossing. For the initial example, I've shown it with a fairly steep angle so it's easy to see; but you can wind it at a much shallower angle, especially once you're started:

You'll get the best results and most stable cop (the yarn wound onto your spindle) if you pile up yarn towards the bottom, and then later the middle, so that the narrowest part of your cop is towards the top. This is easy to achieve: just linger a little longer towards the bottom. It may seem to happen for you without you doing anything special.

When you get to where you have 1-2 feet of yarn left to wind on and that's all, let your upward wind-on keep going all the way up the shaft.

At the top, secure it with a half hitch and you're good to go, whether you're plying or spinning. This works in whatever direction you wish to twirl the spindle -- but bear in mind you'll need to keep going the same direction throughout.

Related Items:

One of the questions I hear often these days is "I have a spindle with no hook or notch to hold the yarn -- how do I work this half-hitch thing I've heard about?"

I grew up spinning this way, on Peruvian low whorl spindles which are as simple a spindle as you can get: a stick with a weight near the bottom. Although I do now often use other kinds of spindles, including ones with hooks and/or notches, I still find the Peruvian low whorl spindle with the half-hitch on the smooth shaft to be the fastest.

Why? Because there's no looking involved -- you can do it all by feel. This is great for spinning while you're doing other things, like walking around. When you need to wind on more yarn, you simply flick the half-hitch off the end of the spindle shaft with your thumb, and it disappears immediately (even if you've used more than one) . If it doesn't slip off easily, just pinch it between your thumb and forefinger and slip it off.

Being comfortable with this technique allows a spinner to use a wider range of tools, such as Andean spindles or Turkish spindles, neither of which traditionally use a hook or notch. You can also put it to work doing things like turning your top whorl spindle upside down and spinning it like a low whorl, for improvising a spindle from any stick and moderately balanced weight, or dealing with problems like a broken spindle or missing hook. You can use it to secure your cop (the spun yarn you've wound onto your spindle) for transporting your spinning, too. Lastly, while I do love some of my top whorl spindles, all of which have notches and hooks in them, I do find that when I have them in my carry-around bag, sometimes the hook will get caught on things and cause me to become irritated; and hey, hooks are commonly made of metal and you know how those airline screener folks are these days -- but they're usually pretty easygoing about letting you have a stick.

The half-hitch can be done essentially one-handed (indeed, I did it one-handed to take these photos!) and with practice, is one single fluid motion. For demonstration purposes, I broke it up into 10 steps which are easier to describe than a single motion.

The mechanics of putting the half-hitch on the spindle shaft are essentially the same as one of the simplest cast-on methods for knitting, the half-hitch cast-on, or single cast-on. The only difference is that you most likely have your spindle shaft held vertical instead of horizontal (like you'd have needles), and you should only need one or two half-hitches to hold your yarn securely. Here it is, in pictures (featuring me and my dye-stained fingers!):

Step 1 Step 2

  • Step 1: Yarn goes over your thumb.
  • Step 2: Yarn comes back under your thumb.

Step 3 Step 4

  • Step 3: Yarn comes back over your thumb.
  • Step 4: Hook your thumb to hold your loop.

Step 5 Step 6

  • Step 5: Bring your hooked thumb, with the loop around it, up between the yarn coming off the spindle and the L between your thumb and forefinger, and this is what you'll see.
  • Step 6: Put the tip of your thumb on the end of your spindle shaft.

Step 7 Step 8

  • Step 7: Start sliding the loop off your thumb, right onto the spindle shaft.
  • Step 8: Pull the half-hitch tight.

Step 9 Step 10

  • Step 9: This is really an alternate view of Step 8. Note that the loop goes OVER the yarn that you're about to keep spinning; this is what makes this work.
  • Step 10: Once you've pulled your half-hitch tight, this is more or less how it will look. Use additional half-hitches if you find that this slips off too easily.

A few final tips: slippery yarn very well may call for more than one half-hitch. Use as many as you like, they'll all come undone when they slide off the shaft. You can also reverse these directions so that instead of having your thumb under the yarn in step 1, your thumb is over it; play with this to find which way is most comfortable for you, because that'll be where your speed comes from with this technique.

Want to see bigger pictures? They're here.

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