Productivity Report, 3 Jan 2007

  • Uploaded photos, cropped, edited, updated blog, 1 hour.
  • Made list of drafts to write in January, roughed out outlines for three of them; 90 minutes.
  • Cleaned the drum carder. Medium cleaning, not a super-deep clean, but beyond just cleaning the drums. 30 minutes.
  • Did 2 blends to use up bombyx silk seconds (the top got ratty in the dyeing process). Documented blending of varying-staple-length fibers for future article on the subject. Put up these two blends in smaller twists. About 4 hours.
    Superfine merino, camel down, and bombyx silk blend
  • Packed and shipped 3 boxes, made post office run; 40 minutes.
  • Spun and plied 95-yard 3-ply sample skein for Jade Sweater; skeined it and washed it; 90 minutes. To be swatched in the coming week or so, so that the rest of the yarn can be spun. Documented process in digital photos.
    Sample Yarn for Jade Sweater
  • Knit a while on the back of the Purple Slate Sweater, finishing waist shaping and reaching about an inch shy of the start of the armscye. About 3 hours.
    Back of the sweater, 3 Jan 2007

Total time for 3 Jan 2007: about 12 hours if you count the evening’s knitting and spinning, 7.5 hours if you don’t.

My personal rating of the day’s productivity: low to medium, still not back in the swing of things.

My son came home from school with a piece he’d written in class that day, which read as follows:

My favorite holiday memory was when I recived my 3-D puzzle Globe. I gave my family more time together, because my mom is busy “comanding” her buisness (frankamont fibers) and my buisness.

I was really charmed by this one (and patted myself and his dad on the back mentally, for giving him the shorter of our two last names instead of the impossible-to-spell one). He went with me on the post office run, and was a huge help at the supermarket afterwards. I suspect I’ll be thinking of myself as “commanding” my business from here on out, and grinning. As to commanding the manchild’s business, make no mistake — my better half does more than his fair share of that.

The two main blends I did, a pink one and a purple one, are impossible to photograph well without sunlight. Grrr. I really want some real sunlight! I know, I know, wrong time of year, and really what I should be seeking out is a solution to the lighting problem in general. Flash photos, and bulb-lit photos, of anything with a lot of silk in it, just come out awful.

Purple Slate Yarn
The Purple Slate Sweater is working up nice and quick, which was the point of the “big needle” project (supposing you figure US 6 /4mm needles are big) and gauge seems to be spot on; but I’m a little concerned I may run shorter of yarn than I really want. So I drafted an alternative version of the pattern as well, this one featuring a low scoop neck and sleeves closer to half-sleeve than 3/4. I really will be annoyed if I run short; the old pattern I’d drafted and lost, I was pretty confident about. I’ll take stock when I’m done with the back, as it being a raglan that’ll be something like 3/8 of the yarn needed, depending on how long I make the sleeves… if I’m going to run short at that point, I’ll have to change it to a short sleeve, which I’d rather not do, or come up with a way to work in a complementary, but different, yarn (since the 846 yards of this one is all there is or can be).

I’m still undecided about the pattern to decorate the raglan lines — well, other than being certain it’ll have nothing to do with cables, since I’m concerned about my yarn quantity!

As for the sample yarn, I’d purchased a pound and a half, maybe 2 pounds, of a 90′s grade green merino top a while ago, with intent to spin myself a sweater yarn from it, but it’s been sitting unspun for at least a year. Maybe two. And about 18 months ago I’d picked up 8 ounces of a sort of clovery merino-tencel. Sometime last, oh, February or so, the thought had occurred to me that those two would potentially complement each other nicely and it would let me work the merino/tencel into another sweater, since I was liking it as an element in the Purple Slate yarn. So I dug the two out and set to sampling.

Green superfine merino, bluer merino/tencel

Originally I’d been thinking 2 plies of the merino, one ply of the merino/tencel, but then I felt like that would just sort of overwhelm the merino tencel entirely, give no real variegation or interest to the yarn other than the minimal marled effect, and so maybe instead, I might do a single that went back and forth between being merino and merino/tencel, a single of merino, and a single of merino/tencel. That’s what I sampled for last night, and while it looks pretty in the skein, I don’t know — it might still overwhelm the sheen from the merino/tencel blend, and it’s hard to say. It’ll have to be swatched. And I may have spun the sample skein too fine, as usual. It’s finer than the Purple Slate yarn. I don’t know that I have any great inclination to knit a biggish sweater from yarn that fine, but it remains to be seen how the swatching goes. It’s entirely possible I’ll end up saying, nope, just spin up the merino, and the merino/tencel separately, they don’t really work together all that amazingly well. I do want a whole sweater from merino/tencel 3-ply. I have made that decision. Not this clovery colour though. Something else. I’ll have to shop for it.

Well, I’m off to the post office — I happen to know there’s a pair of exciting boxes waiting there for me to pick up! They’ll contain my new (to me) fully restored circular sock machine! And that will doubtless consume my entire day.

Productivity Report, 2 Jan 2007

  • Spun on spindle while waiting at the periodontist; about 20-30 minutes in the waiting room. I could have spun a lot more but I had no idea I was going to wind up just sitting and waiting as much as I did once I was actually in the chair, so my bag with my spinning was all the way across the room and I was stuck reading magazines.
  • Packed and shipped 5 boxes of stuff sold over the weekend.
  • Put up about 3 pounds of handpainted and hand-dyed bombyx silk in one-ounce lots from a dye day in December; about 40 minutes. Still to go: 2-3 pounds of tussah silk. Then both piles need to be tagged and inventoried and photographed, then those photos cropped and put online; probably this evening I’ll do the tussah and maybe the tagging. Then if it’s sunny in the morning, find a good spot with good light to take photos. My office works well for this in the mornings, though this time of year, good natural light is just horribly hard to find.
  • 45 minutes, about half a repeat, on the cashmere scarf; but then I decided I just really needed to give myself a break from small and fiddly and do something with needles that exceed the 3mm range.
  • Came to grips with the fact that I’d lost the pattern I wrote for a 900-yard pullover, and ripped the completed back so that it could have a new shot in a new pattern. About 15 minutes.
  • Roughed in a new pullover pattern; about 45 minutes
  • Started on the back, finishing the ribbing and a few inches other than that; about 3 hours.
    One evening's knitting on the Purple Slate Sweater
  • First set of test photos for “how to knit on” taken.

During the day, I typically engage in strictly work productivity, while evenings allow for personal non-work fiber stuff. It’s always a challenge to balance various types of productivity, too: there’s packing, shipping, inventory management, supply chain management (hah! that really means, “Crap, I’m almost out of silk again, I’d better buy some before I really am”), pricing, marketing, writing ad copy, dealing with correspondence… and that could be a whole job all by itself, if I let it! But there’s also dyeing, blending, spinning, testing patterns, and product development

December was a horror for me in terms of getting anything done, since I spent half of it Vicodined to the gills due to the aforementioned dental purgatory, which at least is winding down now. My third grader goes back to school tomorrow and between that and being done with the worst of the dental stuff, work productivity should start coming back to the levels I’d managed to settle on in October and November, which were solid levels of production in my opinion. I’ll definitely lose a few days to this whole periodontal surgery thing, but hopefully nothing like December.

I did manage to get a fair amount of writing done in December, which was a big missing piece that needed to be fit into my overall fiber work life; I’m not going to write December off as having been totally unproductive! My half-hitch article (which was written and finished in November) went online in Spindlicity, and I finished up my article about spindle plying on the go, which should be making its appearance soon in another fine online publication. I’m trying to set a goal for myself of getting at least one draft per week for fiber articles of various types; this obviously doesn’t mean all of those will be publication-grade, but I need to bring some focus and discipline to my fiber writing (a purpose this blog is intended to work towards as well).

For January, leaving aside sick days, I’m figuring on something like this for a division of work:

  • Production: 12-24 hours
  • Operations: 10-12 hours
  • Development: 12-20 hours

Total work hours in a typical week: 32 – 56.

Production is things like dyeing silk, or producing yarn and fiber for sale.

Operations is stuff like packing, shipping, inventory, accounting, routine correspondence.

Development is writing, patterns, product testing, market research, and some correspondence.

Both production and development have strong risks of slopping over into my personal life; in some cases this is acceptable and in other cases, it’s not — but that’s a whole new range of stuff to talk about, best left for another day. For now, suffice it to say I’m figuring a slack week is 30-some-odd hours of work, a busy week maybe as much as 60; with average weeks somewhere in the “around 40 work hours” range. The big tricky issue for me, really, is how to limit time and be focused; I have a tendency to just work nonstop, whatever I’m doing, and that’s what needs controlling most in my life.

Fiber Work List, 1 Jan 2007

  • Got bio and ad to Fiber Femmes, just in time I think!
  • Wound balls:
    • Peach Fuzz
    • Desert Flower Heather
    • Pink Sock
    • Orange Bulky 3-Ply

    …spent 20 minutes doing so, wow!

  • Spun 420 yards falkland/bombyx blend into yarn for felting. 50 minutes, plus 10 to skein and throw in the finishing wash.
  • Most of the rest of the day knitting away on the Desert Flower shawl… like 8 hours, which seems to add up to about 16 rounds. The thing must be bigger than I think it is.


By the time evening rolled around, I was starting to get curious about whether or not I must just be slowing way, way down on the Desert Flower shawl; sometimes that’ll happen to me as I get into the final laps of a lengthy project — not always due to perception, I mean sometimes I really DO slow down. So I counted stitches for a short side and a long side, and concluded that right then, each round on the rectangle was 440 stitches; and every other round, it increases by 8. Then I timed myself knitting a round: 25 minutes.

I reflected on the slowness as I continued, determined to make it to a point where I was going to be working on the final pattern round or, if I opted to extend the particular one I was in, I could refer to the knitted portion rather than a chart, if I needed to check myself. That way, I figured, I could take the thing with me to 2007′s first installment in Abby’s Ongoing Dental Purgatory.

Two major things occurred to me. First, I’d opted for this particular portion of the shawl to be a garter-stitch based Shetland lace pattern with patterning every row, which because I’m working in the round, also requires some fancy footwork to seamlessly hide the turns required because the particular pattern, I know from experience, doesn’t lay right if you don’t really do it turning the piece. With patterning that involves eyelets and careful decreases and that sort of thing on every single row, you also end up with annoyances like the sequence below, contrast enhanced in hopes of making it visible:

Clear as mud? Okay, let’s say you do a yarn over increase on row 247,000 (can you tell I feel like this project has been going on forever?) If row 247,001 were one of those “row 2 and all WS rows: purl” type rows, the appropriate leg of the YO would be sitting where you can easily pick it up purlwise, you’d just purl in that yarn over and then by the time you get to row 247,002 where you have to do a decrease right next to the eyelet a row back, the stitches are lined up in such a manner that they’re fairly easy to slip your working needle in and execute whatever stitch is required.

But, with row 247,001 being a knit row including pattern, by the time that you get to the spot where you’ve got to do a decrease next to a YO, especially if you have lots and lots of stitches on the needles and keep sliding them around a circular, sometimes that yarn over will try to lay across one or more of the stitches next to it in a most annoying fashion. It’s then necessary to separate them a bit so you can get the needle into the correct stitch without snagging that YO and screwing up your eyelet. I wind up doing this by tugging a bit on the knit fabric below the culprit stitches, which makes things pop back into line. But, in this particular pattern, there are so many k2togs right next to a leggy yarn over, my thumb was growing exhausted from constantly having to do what’s shown in the second photo above, to get to the third photo. And that sort of tired thumb situation takes a toll on my left wrist too.

Ergonomically, projects which are all knit rows drive me nuts. I opted to finish only one repeat of that particular pattern, then move to a pattern that isn’t close-worked for the remainder of the shawl, so as to have some merciful, hand-easing rows of 500+ purls. Which seriously are much much faster; I timed myself for a straight purl row once I finished that pattern repeat, and though that row was at least 32 stitches longer and I was more tired, it took only 16 minutes.

The second thing that occurred to me is that it’s harder for me to read the fabric on close-worked patterns (where there’s pattern to be done every row instead of every other row), meaning I have to spend more time counting, checking things carefully, and so forth — whereas with patterns containing an every-other-row-is-plain element (whether in garter or stockinette) I can easily read the knitted fabric as I go and know what has to happen.

Well, time’s running out and I must be off to the dentist. Productivity so far today: none.

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